The interview by the fire; the scar; the contest announced.
1But noble Odysseus stayed behind in the hall,1
plotting the suitors' slaughter with Athena's help.
At once he spoke winged words to Telemachus:
"Telemachus, the weapons of war must be laid away inside —
5all of them; and the suitors — when they miss them and question you —
talk them around with soft words:
'I laid them out of the smoke: they no longer looked like the arms2
Odysseus left behind when he went to Troy —
they are fouled over, as far as the breath of the fire reached.
10And a greater fear — this too a god has cast into my heart:
that in your wine you might raise a quarrel among you
and wound one another, and shame the feast
and the wooing. For iron of itself draws a man on.'"
So he spoke; and Telemachus obeyed his dear father,
15and calling out the nurse Eurycleia he said:
"Nurse, come — shut the women in their quarters for me
until I have stowed away in the storeroom my father's
beautiful arms, which the smoke dulls, uncared for, all about
the house, since my father went away. I was still a child then.
20Now I want to lay them where the breath of the fire will not reach."
Then the dear nurse Eurycleia answered him:
"Yes, child — and if only you would take up the good sense at last
to care for the house and guard all its possessions!
But come — who then will fetch a light and carry it for you,3
25if the slave-women, who would have lit you, may not come out?"
Then clear-headed Telemachus answered her:
"This stranger here. I will keep no man idle who takes
from my grain-measure, however far he has come."
So he spoke; and for her the word stayed wingless.
30And she locked the doors of the well-settled halls.
Then the two sprang up, Odysseus and his shining son,
and carried in the helmets and the bossed shields
and the sharp-pointed spears; and before them Pallas Athena,
holding a golden lamp, made a light most beautiful.4
35And suddenly Telemachus said to his father:
"Father — here is a great wonder my eyes look on!5
The walls of the hall — no question — and the fine crossbeams,
the fir rafters, and the pillars rising high
shine in my eyes as if from a blazing fire.
40Surely some god is in the house, one of those who hold wide heaven."
Then Odysseus of the many designs answered him:
"Quiet. Rein in your thought. Ask no questions.
This is the way of the gods who hold Olympus.
Go you to bed. I will remain behind here
45to stir the slave-women a little more, and your mother:6
in her grief she will ask me about every particular."
So he spoke; and Telemachus went out through the hall
to his chamber, under the blazing torches, to lie down
where he always slept when sweet sleep came to him.
50There he lay down now too, and waited for shining Dawn.
But noble Odysseus stayed behind in the hall,
plotting the suitors' slaughter with Athena's help.
And out of her chamber came watchful-minded Penelope,
like Artemis, or golden Aphrodite.
55They set her chair, where she always sat, beside the fire —
a chair wound round with ivory and silver, which the craftsman7
Icmalius once made, and fixed beneath it a footrest
all of a piece with it, where a great fleece would be thrown.
There she sat down now, watchful-minded Penelope.
60And the white-armed slave-women came in from the hall
and cleared away the piles of bread, and the tables,
and the cups from which the overbearing men had drunk;
they raked the fire from the braziers to the floor and stacked
fresh wood upon them, for light and for warmth.
65And Melantho went at Odysseus a second time:8
"Stranger — are you going to plague us even now, all through the night,
prowling around the house, spying on the women?
Out the door, you wretch — and be glad of the meal you got —
or you'll go out quick enough with a torch-brand at your back!"
70Then, glaring from under his brows, Odysseus of the many designs replied:
"Woman possessed — why go for me with a heart so angry?
Because I am dirty, because the clothes on my body are bad,
because I beg through the land? Necessity is on me:
that is what beggars and wandering men are like.
75I too once lived in a house among men,
a fortunate man in a wealthy one, and I often gave to a wanderer,
whoever he might be and whatever need he came in.
Slaves I had past counting, and everything in plenty
by which men live well and get the name of rich.
80But Zeus the son of Cronos stripped it all — such, no doubt, was his will.
So look to yourself, woman: take care you never lose
all that shine of yours, that sets you off among the slave-women —
in case your mistress turns on you in anger,
or Odysseus comes. For a portion of hope is left.
85And even if he is dead as you think, and past returning,
by Apollo's grace there is his son by now,
such a son — Telemachus. Not one woman in these halls
escapes his eye at her mischief. He is past that age."9
So he spoke; and watchful-minded Penelope heard him,
90and rounded on the handmaid, and spoke a word, and named her:
"Be sure of this, bold face, dog past all shame: your grand10
performance is not lost on me — you will wipe it off on your own head.
You knew — every part of it — you heard it from my own mouth:
that I meant to question the stranger in my halls
95about my husband, for whom I grieve past telling."
Then she spoke to Eurynome the housekeeper:
"Eurynome, bring up a bench, and a fleece on it,
for the stranger to sit and speak his word and hear me
out: I wish to question him through and through."
100So she spoke; and the woman bustled to bring the polished
bench and set it down, and threw a fleece upon it,
and there much-enduring noble Odysseus sat.
And watchful-minded Penelope began to speak among them:
"Stranger, this first will I myself ask you:
105What man are you, and from where? Where are your city and your parents?"11
Then Odysseus of the many designs answered her:
"Lady, no mortal man on the boundless earth
could find a fault in you: your fame goes up to the wide sky —
like the fame of some blameless king, a god-fearing man12
110ruling among many people and mighty,
upholding straight judgments; and the black earth bears
wheat and barley under him, and the trees hang heavy with fruit,
the flocks throw firm young, the sea yields fish,
all from his good governing; and under him the people flourish.
115So — question me now on any other matter, here in your house,
but do not ask my race and my fathers' country,
or you will fill my heart still fuller with pains
as I remember: I am a man of many sorrows. And there is no need
to sit in a stranger's house grieving and lamenting —
120grief without respite makes everything worse —
and one of the slave-women might take offense — or you yourself —
and say I swim in tears because the wine has weighed my wits."
Then watchful-minded Penelope answered him:
"Stranger, my excellence — my face, my figure —13
125the deathless ones destroyed the day the Argives
boarded ship for Ilium, and my husband Odysseus with them.
If he came back — if he watched over this life of mine —
my fame would be greater so, and lovelier.
Now I only grieve: so many evils the god has driven at me.
130All the great men who hold power among the islands —
Dulichium and Same and wooded Zacynthus —
and those whose homes are round clear-skied Ithaca itself:
they woo me against my will, and wear this house away.
So I pay no mind to strangers, none to suppliants,
135none at all to heralds, the workers for the people;
no — longing for Odysseus melts the heart in me.
They press the marriage on; and I wind out my skein of tricks.14
First it was the robe: a god breathed it into my heart —
to set up a great loom in the halls and weave at it,
140fine-threaded, beyond all measure wide; and I told them straightway:
'Young men, my suitors — since noble Odysseus is dead,15
wait, though you burn for my wedding, till I finish
this cloth — let my spinning not be wasted on the wind —
a shroud for the hero Laertes, against the day
145the ruinous doom of death that lays men low will take him:
let no Achaean woman in the land hold it against me
that a man who won so much should lie without his winding-sheet.'
So I spoke, and their proud hearts were persuaded.
Then every day I wove at the great loom,
150and every night I unwove it by torchlight.
Three years my trick escaped them, and I kept the Achaeans persuaded;
but when the fourth year came, as the seasons rolled on,
the months waning away, the long tale of days accomplished,
then — through my slave-women, those careless bitches —
155they came on me and caught me, and shouted me down.
So I finished it — against my will, under force.
And now I can neither escape the marriage nor find
any other design. My parents urge me hard16
to marry; and my son chafes as these men eat his living —
160he understands now: he is a man by now, fully able
to care for a house that Zeus grants glory to.
But even so, tell me your stock, where you are from:
you were not born of the oak in the old tales, nor of a stone."17
Then Odysseus of the many designs answered her:
165"Honored wife of Laertes' son Odysseus,
will you not leave off asking me my lineage?
Well — I will tell you. Though truly you hand me over to sorrows
more than hold me now: that is the way of it, when a man
has been gone from his country as long as I have,
170wandering through many cities of men, suffering pains.
Even so, I will tell you what you ask and probe for.
There is a land called Crete, out in the wine-dark sea,18
beautiful and rich, ringed by the water; and in it are people
past counting, and ninety cities:
175tongue mixed with tongue — Achaeans there,
great-hearted native Cretans, Cydonians,
Dorians in their three clans, and noble Pelasgians;
and among the cities is Cnossus, the great town, where Minos
was king by nine-year terms, great Zeus's intimate —19
180the father of my father, great-hearted Deucalion.
Deucalion fathered me, and lord Idomeneus;
but Idomeneus had gone in the beaked ships
to Ilium with the sons of Atreus. My famous name is Aethon —20
the younger brother by birth; he was elder, and the better man.
185There I saw Odysseus, and gave him guest-gifts:21
for the strength of the wind had brought him down on Crete
as he made for Troy, driving him off course past Malea.
He anchored at Amnisus, by the cave of Eileithyia,
in that difficult harbor, and barely rode out the squalls.
190He came straight up to the town, asking for Idomeneus:
his guest-friend, he said, beloved and honored.
But it was now the tenth dawn for Idomeneus, or the eleventh,22
since he had gone with the beaked ships to Ilium.
So I brought him to the house and gave him welcome,
195warm and openhanded — the house had plenty in it —
and for the rest, for the companions who followed with him,
I gathered barley-meal from the public store, and sparkling wine,
and oxen for sacrifice, till their hearts were satisfied.
Twelve days the noble Achaeans stayed with me,
200pinned there: the great North Wind held them, and would not let them
stand even on shore — some hard god had raised it.
On the thirteenth the wind dropped, and they put out to sea."
He made the many lies he told seem like the truth.23
And as she listened her tears ran, and her flesh melted —24
205as snow melts away on the high crests of the mountains,
snow the West Wind piled and the East Wind thaws,
and as it melts the rivers run full with it:
so her beautiful cheeks melted with falling tears,
as she wept for her own husband — sitting at her side. And Odysseus
210pitied his wife in his heart as she grieved,
but his eyes stood fixed as horn or iron,25
unwavering in their lids: with craft he hid his tears.
And when she had taken her fill of tear-heavy mourning,
she found words again, and answered him:
215"Now, stranger, I think I shall put you to the test:26
whether you truly hosted my husband there in your halls
with his godlike companions, as you say.
Tell me what kind of clothes he wore on his body,
and what kind of man he was, and the companions who followed him."
220Then Odysseus of the many designs answered her:
"Lady, that is hard — for one so long apart
to say. It is the twentieth year already
since he went from there and left my country behind.
Even so I will tell you how my heart's eye pictures him.
225Noble Odysseus wore a woolen mantle of sea-purple,
a double fold; and the brooch on it was fashioned of gold,
with paired sheaths for the pins; the face of it was a marvel:
a hound held a dappled fawn between its forepaws,27
gripping it as it writhed. And everyone wondered at them —
230both of gold: the one gripping the fawn and throttling it,
the fawn straining with its feet to escape, even as it struggled.
And I noticed the tunic on his body, all a-shimmer,
like the skin that slips from a dried onion:28
that soft it was, and bright as the sun itself.
235Many the women, I tell you, who gazed at him in wonder.
And another thing I will tell you: lay it up in your heart.
I do not know whether Odysseus wore these things from home,
or some companion gave them to him boarding the fast ship,
or perhaps some guest-friend, since to many men Odysseus
240was dear: few of the Achaeans were his equals.
I too gave him things: a sword of bronze, a folded mantle,
fine, sea-purple, and a fringed tunic,
and sent him off with honor on his well-benched ship.
Also a herald attended him, a little older
245than he was; and I will tell you what he looked like too:
round in the shoulders, dark-skinned, curly-headed,29
Eurybates his name; and Odysseus prized him above
his other companions, for their minds ran matched.
So he spoke; and he stirred in her still more the longing for weeping,
250as she recognized the tokens Odysseus described so surely.30
And when she had taken her fill of tear-heavy mourning,
then she found words again, and said to him:
"Now, stranger, pitiable as you were to me before,
in my halls you shall be dear and honored.
255It was I who gave him those clothes — I, the very clothes you speak of —31
folded from the storeroom, and I pinned on the shining brooch
to be his jewel. And I shall never welcome him again
come home to his own dear fatherland.
By an evil fate Odysseus went in the hollow ship
260to look on Evil-Ilium, never to be named."32
Then Odysseus of the many designs answered her:
"Honored wife of Laertes' son Odysseus,
mar your lovely skin no more, and melt your heart
no more away, weeping for your husband. Not that I blame you at all:
265any woman mourns the husband she has lost,
the man of her youth, whose children she bore in love —
even a lesser man than Odysseus, whom they call the equal of the gods.
But cease from weeping, and attend to my word:
for I will speak the exact truth and hide nothing:
270I have already heard of Odysseus' homecoming —33
near, in the rich land of the Thesprotian men,
alive; and he is bringing many fine treasures home,
begging his way through the country. But his trusted companions
he lost, and the hollow ship, on the wine-dark sea,
275on the way from the island of Thrinacia: for Zeus and Helios
were set at odds with him — his companions killed the Sun's cattle.34
They all perished in the surging sea;
but he rode the keel of the ship, and the wave threw him ashore
on the land of the Phaeacians, whose birth is next to the gods'.
280They honored him from the heart like a god,
and gave him many things, and were themselves ready to bring him
home unharmed. And Odysseus would have been here
long since; but this seemed to his heart the more profitable way:
to travel wide and gather wealth — for beyond35
285all mortal men Odysseus knows the profitable turn:
no living man could rival him at that.
So Pheidon told me all of it, the king of the Thesprotians;
and he swore an oath to me, pouring the libation in his house,
that a ship was hauled down and a crew standing ready
290to convey him home to his own dear fatherland.
But me he sent off first: for a Thesprotian ship
happened to be sailing for Dulichium, rich in wheat.
And he showed me all the treasure Odysseus had gathered:
truly it would feed a man's line to the tenth generation,
295such a store of the lord's goods lay there in his halls.
Odysseus, he said, was gone to Dodona, to hear
the will of Zeus out of the god's own high-crowned oak:
how he should come home to his own dear fatherland,
openly or in secret, after so long away.
300So he is safe; so he will come — and soon now,
very near: not far from his friends and his fathers' land
will he be for long. And still I will give you my oath on it.
Now Zeus be my witness first — highest and best of the gods —36
and the hearth of blameless Odysseus, to which I have come:
305all this shall be accomplished exactly as I say.
Within this very turning of the light Odysseus will be here:
between this month's waning and the rising of the next."
Then watchful-minded Penelope answered him:
"Ah, stranger, if only that word might be accomplished:37
310then you would quickly know my friendship, and gifts
in plenty from me — any man who met you would call you blessed.
But this is how my heart forebodes it, and how it will be:
Odysseus is not coming home; and you will get no passage —
for there are no masters in this house
315such as Odysseus was among men — if he ever was —
to welcome honored strangers, and to send them on.
But wash him, my handmaids, and lay out a bed:38
bedstead and cloaks and shining blankets,
so he may come warm through to Dawn of the golden throne.
320And in the early morning bathe him and rub him with oil,
so that here inside, at Telemachus' side, he may look to his dinner,
seated in the hall. And the worse for any man of them
who galls him — heart-destroyer: he will accomplish nothing
here ever again, rage at it as he bitterly may.
325For how will you learn of me, stranger, whether I stand out39
at all among women in mind and thoughtful counsel,
if all unwashed and badly dressed you sit at meat
in my halls? Men are creatures of a short day.
The man who is hard himself, and knows hard thoughts,
330on him all mortals call down pains to come
while he lives, and when he is dead they mock him, every one;
but the man who is blameless himself, and knows blameless thoughts —
his fame the guests he served carry wide
to all mankind, and many call him noble."
335Then Odysseus of the many designs answered her:
"Honored wife of Laertes' son Odysseus,
cloaks and shining blankets turned hateful to me
the day I first put the snowy mountains of Crete
behind me, going aboard the long-oared ship.
340I will lie this night as I have lain through sleepless nights before:
many the nights I have spent on some rough bed,
waiting it out for shining fair-throned Dawn.
Nor do foot-washings bring my heart any pleasure:
no woman shall touch this foot of mine40
345of all those who serve about your house —
unless there is some old woman, old and faithful-hearted,
who has endured in her spirit as much as I have endured:
such a one I would not grudge the touching of my feet."
Then watchful-minded Penelope answered him:
350"Dear stranger — no man so discerning, of all the guests
from far lands, ever came more welcome to my house:
so shaped and thought-through is everything you say.
I have an old woman whose breast is packed with counsel,
who nursed and reared that unlucky man, my husband —
355took him into her arms the hour his mother bore him:
she will wash your feet, feeble with age though she is.
Up now, watchful-minded Eurycleia:41
wash him — a man the same age as your master. And perhaps Odysseus
by now is like him in his feet, like him in his hands:
360for in misfortune mortal men age fast."42
So she spoke; and the old woman hid her face in her hands
and shed hot tears, and gave voice to words of mourning:
"Ah me, child, and I helpless for you! Truly Zeus43
hated you beyond all men — and yours was a god-fearing heart.
365For no mortal ever burned to Zeus who delights in thunder
so many fat thigh-pieces, such choice hecatombs,
as you gave him, praying you might come
to a sleek old age and raise your shining son.
And now from you alone he has cut off the day of homecoming.
370So too, I suppose, the women mocked him —
women of strangers in far lands, when he came to some man's famous house —
just as these bitches here mock you, all of them together:
it is to dodge their insults, their crowd of taunts,
that you will not let the women wash you. And I — not at all unwilling —
375am ordered to it by Icarius' daughter, watchful-minded Penelope.
So I will wash your feet — for Penelope's own sake
and for yours as well; for the heart within me is stirred
with sorrows. But come — take in the word I say:
many a travel-worn stranger has come to this house,
380but never, I tell you, have I seen such a likeness
as you have — in body, in voice, in feet — to Odysseus."44
Then Odysseus of the many designs answered her:
"Old mother, so they all say who have seen the two of us
with their own eyes: that we are very like each other —
385just as you yourself observe, and say."45
So he spoke; and the old woman took the shining basin
she used for washing feet, and poured in water,
cold in plenty, then added hot to it. And Odysseus
sat down at the hearth — and swung round quickly toward the dark,46
390for a fear came over his heart that as she took hold
she might mark the scar, and the whole work come open.
She came close and began to wash her master. And at once she knew47
the scar — the wound the boar dealt him with its white tusk
when he went to Parnassus, to Autolycus and his sons,
395his mother's noble father, who outdid all men
in thievery and the oath: the god himself had given it him —48
Hermes: to him he burned welcome thigh-pieces
of lambs and of kids, and the god companioned him with a will.
Once Autolycus, coming to the rich land of Ithaca,
400found his daughter's son a baby newly born;
and Eurycleia laid the child on his knees49
as he finished supper, and spoke a word, and named him:
"Autolycus — find the name yourself, to give
your own child's child. He is a child of many prayers."
405Then Autolycus answered her and said:
"Son-in-law and daughter, give him the name I say.
Since I have come to this place at odds with many —50
with men and with women across the nourishing earth —
let Odysseus, Man at Odds, be the name he carries.
410And for my part: when he is grown, and comes to Parnassus,
to his mother's great house, where my possessions are,
I will give him a share and send him home rejoicing."
For those gifts Odysseus went: to receive his shining presents.
And Autolycus and the sons of Autolycus
415clasped his hands in welcome, and greeted him with honeyed words;
and Amphithea, his mother's mother, folding Odysseus in her arms,
kissed his head, and both his beautiful eyes.51
Then Autolycus called to his glorious sons
to make the meal ready; and they heard his urging:
420at once they led in a bull of five years,
flayed it and dressed it, and split the whole in pieces,
and jointed the meat with skill, and fixed it on the spits,
and roasted it with care, and shared out all the portions.
So then, the whole day long until the setting of the sun,
425they feasted; and no man's appetite went short of the equal feast.
And when the sun went down and the dusk came on,
they lay down then, and took the gift of sleep.
When Dawn appeared, the early-born, with fingers of rose,
they went their way to the hunt — the hounds and with them
430the sons of Autolycus themselves; and noble Odysseus
went along with them. They climbed the steep mountain, mantled
in forest — Parnassus — and soon they reached its windy folds.
The sun was just striking the plowlands, rising52
out of the deep smooth stream of Ocean,
435when the beaters came to a glen; ahead of them
ran the hounds, casting for the scent, and behind them
came the sons of Autolycus; and noble Odysseus
moved close behind the hounds, swinging his long-shadowed spear.
There, in a dense thicket, lay couched a great boar.53
440No force of wet-blowing winds could pierce that covert,
no shaft of the shining sun could strike into it,
no rain drive through it, so dense it was,
and the fallen leaves lay heaped in it past counting.
Around the boar came the din of feet — men's and hounds' —
445as they pressed in on him; and out of his lair, head-on,
bristles ridged on his neck, fire standing in his eyes,
he stood at bay, close in. And first of all Odysseus
rushed him, the long spear high in his heavy hand,
hungry to strike; but the boar was quicker — gashed him
450above the knee, charging in slantwise, and ripped away
a long gouge of flesh with his tusk: but it did not reach the bone.
And Odysseus struck home on the right shoulder,
and the point of the shining spear went through and through:
down in the dust he went, bleating, and the life flew out of him.54
455Then the dear sons of Autolycus busied themselves with the carcass,
and the wound of blameless, godlike Odysseus
they bound with skill, and with a chanted spell they stanched55
the black blood; and quickly they came to their father's house.
And Autolycus and the sons of Autolycus
460healed him well, and gave him shining gifts,
and quickly sent him back rejoicing to his own dear country,
to Ithaca. And his father and his honored mother
rejoiced at his homecoming, and questioned him on everything —
the scar, and what had happened; and he told them all of it well:
465how the boar's white tusk had gashed him at the hunt
on his climb up Parnassus with the sons of Autolycus.
That scar — as the old woman took his leg in the flat of her hands56
she knew it under her fingers. She let the foot drop:
the shin fell in the basin; the bronze rang out;
470the basin tipped over sideways, and the water ran on the ground.
And joy and anguish seized her mind at once: her eyes
filled up with tears; her welling voice stuck fast.
She touched Odysseus on the chin, and said:
"You are Odysseus — dear child! And I did not know you,57
475not before I had handled all of him — my master."
She spoke, and her eyes went toward Penelope,
ready to tell her that her own husband was in the house.
But Penelope could not meet the look or take its meaning,
for Athena had turned her mind away. And Odysseus,58
480feeling for her throat, caught it with his right hand,
and with the other pulled her closer to him, and said:
"Nurse — why would you destroy me? You yourself nursed me59
at this breast of yours. Now, after suffering many pains,
I have come in the twentieth year to my fathers' land.
485But since you have found it out, and a god has put it in your heart,
be silent — let no one else in the halls learn of it.
For I will say this outright, and it will be accomplished:
if a god brings the haughty suitors down beneath my hands,
I will not spare even you, my nurse though you are, that day
490I kill the other slave-women in my halls."
Then watchful-minded Eurycleia answered him:
"My child, what a word has slipped the fence of your teeth!60
You know my strength — how it stands and will not bend:
I will hold like solid stone, like iron.
495And another thing I will tell you: lay it up in your heart.
If a god brings the haughty suitors down beneath your hands,
then I will name you the women of the halls, every one:
which of them dishonor you, and which are guiltless."
Then Odysseus of the many designs answered her:
500"Nurse, why would you name them? There is no need.61
I will observe them well myself, and learn each one.
No — keep the story silent. Leave it to the gods."
So he spoke; and the old woman went off through the hall
to fetch fresh water for his feet: the first was all spilled.
505And when she had washed him and rubbed him richly with oil,
Odysseus drew his bench again nearer the fire
to warm himself, and covered the scar with his rags.62
And watchful-minded Penelope began to speak among them:
"Stranger, one small thing more I will ask you myself —
510for soon enough now comes the hour of sweet rest,
for whomever sweet sleep will take, however careworn.
But to me the god has dealt grief past measuring:
by day my one delight is weeping and lamenting,63
while I look to my work and the work of my women in the house;
515but when night comes, and rest takes all the others,
I lie in my bed, and crowding round my beating heart
the sharp anxieties torment me as I mourn.
As when the daughter of Pandareus, the pale-green nightingale,64
sings beautifully at the first new standing of spring,
520perched in the thick leafage of the trees,
and pouring, turning, threads her many-noted voice,
mourning her child, her beloved Itylus, whom once with the bronze
she killed in her blindness of mind — the son of lord Zethus:
so my heart too is torn two ways, this way and that:65
525do I stay by my son and keep everything unmoved —
my goods, my slave-women, the great high-roofed house —
respecting my husband's bed and the voice of the people;
or do I follow now whichever of the Achaeans is best
among my suitors in the halls, and offers bride-gifts past counting?
530My son — while he was still a child, and soft in mind,
he would not have me marry and leave my husband's house;
but now that he is grown, come to the measure of manhood,
he prays me to go back home, out of these halls —
chafing over the estate the Achaeans eat away.
535But come — hear this dream of mine, and read it for me.66
I keep twenty geese about the house; they eat wheat
softened in water, and it warms me to watch them.67
And out of the mountain came a great hook-beaked eagle
and broke all their necks, and killed them; and they lay strewn
540in a heap through the halls, while he was borne up to the bright sky.
And I wept — I wailed aloud, though it was a dream,
and around me gathered the fair-braided Achaean women,
as I grieved most pitiably because the eagle had killed my geese.
But back he came, and perched on the jut of the roof-beam,
545and with a man's voice he checked my grieving:
'Take heart, daughter of far-famed Icarius:
this is no dream but a waking sight — a good one, and it shall be accomplished.68
The geese are the suitors; and I — I was the eagle-bird
before; but now I have come back, and I am your husband,
550and I will let loose an ugly doom on all the suitors.'69
So he spoke; and the honey-sweet sleep let me go;
and casting about, I saw the geese there in the halls
pecking their wheat beside the trough, just where they always were."
Then Odysseus of the many designs answered her:
555"Lady, there is no way to wrench this dream aside
to read it another way: Odysseus himself, no other,
has shown you how he will end it: destruction shows plain for the suitors —
for every man of them; not one shall slip out of death and the fates."70
Then watchful-minded Penelope answered him:
560"Stranger, dreams are hopeless things, and their talk past sorting;
not everything in them is accomplished for mortals.
For two are the gates of strengthless dreams:71
one pair is fashioned of horn, and one of ivory.
Those dreams that come through the gate of sawn ivory
565cheat and beguile: they carry words that come to nothing.
But those that come out through the gate of polished horn
accomplish true things, whenever a mortal sees them.
But my strange dream, I fear, did not come from there —
ah, welcome as that would be to me and to my child.
570And another thing I will tell you: lay it up in your heart.
Here now comes the dawn of the evil name, that will cut me72
away from the house of Odysseus. For now I will set the contest:
the axes he used to stand up in a row in his halls,
like the props of a ship on the stocks — twelve in all;73
575and standing far back he would shoot an arrow through them.
Now I will set this contest before the suitors:
whoever strings the bow most easily in his hands,
and shoots an arrow through all twelve axes —
him I will follow, forsaking this house,
580this house of my marriage, this beautiful house, full of all
that sustains life. I think I shall remember it even in my dreams."74
Then Odysseus of the many designs answered her:
"Honored wife of Laertes' son Odysseus,
do not put off this contest in your house one hour.
585For Odysseus of the many designs will be here first —75
before these men, handling and handling the polished bow,
can string the cord and shoot through the iron."
Then watchful-minded Penelope answered him:
"Stranger, if you were only willing to sit by me in the halls76
590and give me pleasure, sleep would never settle on my eyes.
But there is no way men can go sleepless forever:
the deathless ones have set a portion for each thing
mortals do on the grain-giving earth.
So I will go up now to my upper room
595to lie on the bed that has become a bed of groaning for me,77
forever stained with my tears, since the day Odysseus
went to look on Evil-Ilium, never to be named.
There I will lie; and you lie down in this house —
spread something on the floor, or let them set you a bed."
600So speaking she climbed to her shining upper room,
not alone: her handmaids went up with her.
Climbing to her upper room with her serving-women,
she wept there for Odysseus, her dear husband, until
gray-eyed Athena cast sweet sleep upon her eyelids.78
1 line 1 — Lines 1–2 return verbatim at 51–52, bracketing the arms-removal like a refrain: the man alone in the hall, "plotting the suitors' slaughter with Athena's help." The book of the poem's most intimate conversation opens and re-opens on the murder being arranged around it. ↩
2 line 7 — The smoke-speech, delivered as scripted at 16.286–294 — cover story, soot damage, and the proverb, word for word as his father dictated (with one variant: "a god has cast into my heart" for "the son of Cronos"). Telemachus will perform it flawlessly. The plan is now running on rehearsed lines; the poem lets us hear the rehearsal and the performance two books apart. ↩
3 line 24 — Eurycleia's question is pure household logistics — who carries the light if the women are locked in? — and it earns the poem's answer: Athena herself will (33–34). The gap between the nurse's lamp-problem and its divine solution measures the whole night: ordinary housekeeping, extraordinary guests. ↩
4 line 33 — Athena with the golden lamp — the only λύχνος in Homer. The goddess as lamp-bearer for two men carrying weapons: the humblest divine service in the poem, and the most intimate — the household's true light restored for one night's secret work. ↩
5 line 36 — Telemachus senses the theophany — not seeing her (16.161's rule holds), but seeing the glow on rafters and pillars. His father's response is liturgical discipline: "Quiet... This is the way of the gods." The son is being trained in the etiquette of divine partnership: notice, do not name, keep working. ↩
6 line 45 — "To stir the slave-women a little more, and your mother" — ἐρεθίζω, the verb of provoking. He announces the interview as a probe: even the meeting with his wife is framed, to his son, as a test to run. What the night actually becomes exceeds the operational language that scheduled it. ↩
7 line 56 — The chair of Icmalius — ivory and silver, the maker named, the footrest built in one piece. Furniture with a pedigree, like the basin and the bed to come: the poem is beginning its inventory of the objects that know the family. She sits where "she always sat"; the stranger watches his wife take her place in the furniture of a house he knows to its joints. ↩
8 line 65 — Melantho's second attack (the first at 18.327ff) — now with the torch-brand threat. Her taunt "spying on the women" is exactly right: he is auditing the women; she is failing the audit in real time, twice, with the mistress listening. ↩
9 line 87 — The warning to Melantho maps every exit: the mistress may turn on you, Odysseus may come ("a portion of hope is left" — ἐλπίδος αἶσα, the phrase Murray's text lost from 16.101 restored to the living text here), and if not, Telemachus is of age and misses nothing. Three jurisdictions, all closing; she hears rhetoric and is dead within days under the middle one. ↩
10 line 91 — Penelope's rebuke — "dog past all shame... you will wipe it off on your own head" — is queenly rage with an exact idiom of blood-guilt: the deed will be wiped clean on the doer. The mistress has just cursed her fosterling (18.322–323) in terms the gallows will honor. ↩
11 line 104 — She asks the poem's identity-formula herself — "What man are you, and from where?" — the question Telemachus put to Athena (1.170), Eumaeus to the beggar (14.187), Theoclymenus to Telemachus (15.264). The formula's greatest asking: wife to disguised husband, by the fire. ↩
12 line 109 — He answers "who are you?" with "what you are": the just-king simile — straight judgments, black earth bearing wheat and barley, trees heavy, flocks throwing firm young, the sea yielding fish, the people flourishing. It is the poem's fullest political theology (kingship as fertility), and he lays it on her: Penelope's fame is the fame of the good king. The compliment is also a report card — and a husband's thanks smuggled through a beggar's flattery. ↩
13 line 124 — Her reply opens with the bloom-destroyed lines she gave Eurymachus (18.251–253) — her standing preface — then modulates the suitor-catalogue of 1.245–248 into first person: "they woo me against my will, and wear this house away." The poem's fixed materials, re-keyed to the widow's own voice. ↩
14 line 137 — "They press the marriage on; and I wind out my skein of tricks" — τολυπεύω, a wool-working verb: to wind off into balls. Her metaphor for plotting is her craft; μῆτις in this house spins. The line is her self-portrait as her husband's equal — he tells lies like truth, she winds stratagems like yarn. ↩
15 line 141 — The web story, told by the weaver herself (139–156 ≈ 2.94–110, where Antinous told it as an indictment). The two tellings are nearly verbatim — same quoted speech to the suitors, same three years, same betrayal — and opposite in genre: his was a complaint about female cunning; hers is a veteran's account of a defensive war, ending not in triumph but "against my will, under force." A suitor's ghost will tell it a third time in Hades (24.128–146); each teller's version is a verdict on the teller. ↩
16 line 158 — "My parents urge me hard to marry" — confirming Athena's claim at 15.16ff, which had seemed like the goddess's motivational invention. The pressure is real from every side now: parents, son, deadline. The poem quietly closes the gap between what Athena said and what is true. ↩
17 line 163 — "Not born of the oak in the old tales, nor of a stone" — the proverb for having ordinary human origins (already old when Hesiod used it). Her curiosity is warm and worldly: everyone comes from somewhere; produce your parents. ↩
18 line 172 — Crete again — the fifth Cretan tale (13.256ff, 14.199ff, 16.62 relayed, 17.523 relayed, now the full aria): ninety cities, five peoples, "tongue mixed with tongue" — the densest ethnography in Homer, true in every checkable detail. He builds the lie's floor out of the real world; the fiction stands only on the top course. ↩
19 line 179 — Minos "king by nine-year terms, great Zeus's intimate" (ἐννέωρος... ὀαριστής): the nine-year kingship renewed in conference with Zeus — a glimpse of Bronze Age sacral kingship. The liar gives himself the best pedigree in the Aegean: grandson of Zeus's confidant, brother of Idomeneus. ↩
20 line 183 — "My famous name is Aethon" — "Blaze," "Burnt-brown." His third alias (unnamed to Eumaeus, "Epēritos" waits for Laertes at 24.306); this one, ominously, is a fire-name worn beside his own hearth. ↩
21 line 185 — The masterstroke of the lie: he hosted Odysseus. He invents a twelve-day guest-friendship with himself, itemized — the harbor at Amnisus, the public barley, the oxen. He gives his wife the gift of her husband seen, fed, honored — a kindness folded inside an imposture, and reconnaissance: her grief at the story is the proof he came for. ↩
22 line 192 — "The tenth dawn, or the eleventh" — the liar's calibrated vagueness: an honest witness is precise about scenery and hazy about numbers. The poem has already told us the technique's name (13.295, Athena admiring); here we watch the brushwork. ↩
23 line 203 — "He made the many lies he told seem like the truth" (ἴσκε ψεύδεα πολλὰ λέγων ἐτύμοισιν ὁμοῖα) — the most self-referential line in Homer: it is what Hesiod's Muses say of themselves ("we know how to speak many lies like the truth"). Spoken over Odysseus mid-performance, it is the poet certifying his hero as a poet — and confessing what epic itself is made of. ↩
24 line 204 — The snow simile: her face melts as the West Wind's snow melts under the East Wind's thaw, "and as it melts the rivers run full." Twenty years of winter breaking up in one listening. The simile's tenderness is geographic — high mountains, spring flood — as if her weeping watered the kingdom the just-king simile just described. ↩
25 line 211 — "His eyes stood fixed as horn or iron" — while she melts, he petrifies; one marriage, two states of matter. Horn returns at 562 as the gate of true dreams — the eyes that will not weep are made of the same stuff as the gate truth comes through. "He wept for his wife in his heart" is literal: the tears happen; only their exit is closed, "with craft." ↩
26 line 215 — "I think I shall put you to the test" — πειρήσεσθαι: she uses the family verb. Odysseus tests everyone (his word at 16.305, 313); now his wife runs the procedure on him — demand verifiable detail, check against private knowledge. The clothes-test is flawless method: only she knows what she packed. ↩
27 line 228 — The brooch: a golden hound throttling a dappled fawn that "strained with its feet to escape, even as it struggled." The ekphrasis is Odysseus in miniature — predator craft caught mid-kill, beauty made of applied violence — and, this night of all nights, a forecast: the hound is in the hall, the fawns are asleep in their own houses (cf. the lion's-lair simile, 4.335ff = 17.126ff). ↩
28 line 233 — The tunic like "the skin that slips from a dried onion" — soft, glistening, close: the homeliest simile in Homer applied to a king's shirt, and instantly convincing for that reason. Only someone who had handled the garment would reach for the kitchen to describe it; she supplied the garment, and the description tells her so. ↩
29 line 246 — Eurybates the herald: "round in the shoulders, dark-skinned, curly-headed" — the most particular physical description of any Greek in the poem, honoring a real companion (he appears in Iliad 2.184). Prized "for their minds ran matched": the detail no imposter would invent is the affection. ↩
30 line 250 — "She recognized the tokens" — σήματα: the recognition-word, rehearsing for Book 23 where the σήματα will be the bed. The poem is running the machinery of recognition at half-power: tokens verified, husband confirmed dead by the evidence of his living presence. ↩
31 line 255 — "It was I who gave him those clothes — I" — the test returns its result and it is worse than failure: the beggar's description proves he saw Odysseus in the very clothes she folded, pinned, and chose. The proof of contact becomes proof of loss ("I shall never welcome him again"). Grief by verification: the scene's cruelest turn, engineered by the husband who is its object. ↩
32 line 260 — "Evil-Ilium, never to be named" (Κακοΐλιον οὐκ ὀνομαστήν) — her coinage: Troy renamed as a curse, with the superstitious rider that saying the name feeds its power. She repeats it at 597. In her private theology the war has no name, only an epithet of hatred. ↩
33 line 270 — The Thesprotian tale, third performance (14.316ff to Eumaeus; relayed to her at 17.526–527; now direct): Pheidon, the treasure, the oath, Dodona — stable in every strut, with the Phaeacian truth freshly built in. To his wife he adds what Eumaeus didn't get: Thrinacia, Zeus and Helios, the keel that carried him off the wreck — his real story, distributed to a fiction one island off. ↩
34 line 275 — "Zeus and Helios were set at odds with him" — ὀδύσαντο: the name-verb (see 1.62, 5.340), planted inside the lie. Even his fictions pun on him; the "man at odds" narrates his own wreck under an alias and cannot keep his name's grammar out of it. The naming-scene forty lines ahead (407–409) will unpack the same verb in earnest. ↩
35 line 284 — "Beyond all mortal men Odysseus knows the profitable turn" (κέρδεα) — the beggar praising Odysseus for the very trait currently deceiving the listener. The self-endorsement doubles as an excuse for delay (he stayed away to gather wealth) — planted so the real homecoming's poverty of explanation will have cover. ↩
36 line 303 — The oath repeats his oath to Eumaeus (14.158–162) almost word for word — Zeus, the hearth of blameless Odysseus, and the dating-formula: "Within this very turning of the light... between this month's waning and the rising of the next." He swears by his own hearth, standing at it, and sets the deadline that the festival of Apollo (20.156, 276) will keep: tomorrow is the dark of the moon. ↩
37 line 309 — The blessing-formula a third time (15.536–538, 17.163–165) — Telemachus, then Penelope to Theoclymenus, now Penelope to the beggar: the same courteous three lines each time, meeting prophecy — dynastic in Book 15, of return since — with structured disbelief. The family meets hope with a fixed liturgy: bless the speaker, refuse the content. Then her flat overrule: "Odysseus is not coming home; and you will get no passage" — hope's administrator denying both claims in one breath. ↩
38 line 317 — From despair she pivots to hospitality's checklist — bath, bed, blankets, morning oil — and the reason (325–334) is the just-king simile handed back: guests carry fame; the blameless man's name travels. She answers his political theology with hers: her kingdom is conduct, its export is reputation, "men are creatures of a short day" and are remembered by what they served. ↩
39 line 325 — "How will you learn of me... whether I stand out at all among women in mind and thoughtful counsel" — she wants the stranger to certify her μῆτις, not her face. It is the exact wish her husband can grant and no one else fully could; the poem lets them audition for each other all night under assumed identities. ↩
40 line 344 — The foot-washing condition: no young woman shall touch him — only an old one "who has endured in her spirit as much as I have endured." The sentence is a targeting instruction: it describes exactly one person in the house. He engineers his own recognition-risk — pride, tenderness, or the plan needing Eurycleia inside it; the poem lets all three stand. ↩
41 line 357 — "Up now, watchful-minded Eurycleia" — Penelope lends the nurse her own epithet (περίφρων), a dignity the poem otherwise grants only the queen and the housekeeper Eurynome. Two watchful minds are about to share a room with the man neither can quite see. ↩
42 line 360 — "Perhaps Odysseus by now is like him in his feet, like him in his hands... in misfortune mortal men age fast." She keeps walking to the edge of the truth and providing herself the railing: the resemblance is real, therefore explained. Her rationality is the disguise's best ally — Athena needs to intervene (479) only once all night; Penelope's good sense does the rest. ↩
43 line 363 — Eurycleia's lament is addressed to the absent Odysseus — "Ah me, child, and I helpless for you" — over the head of the present one. She catalogues his piety, Zeus's ingratitude, and then turns the mockery of serving-women into a mirror: as these bitches taunt you, so some far country's maids must have taunted him. Every clause lands on its hidden target; the poem gives her forty lines of dramatic irony as devotion. ↩
44 line 380 — "In body, in voice, in feet — to Odysseus": the strongest pre-recognition statement in the poem, from the woman who has known that body since its first hour. Voice — which Athena's wand never altered — is the tell no disguise covers. She sees it, says it, and hands it to him as a curiosity. ↩
45 line 383 — His parry is perfect poise: "so they all say... we are very like each other." Confirm the observation, drain its danger — the resemblance becomes a known fact about two men, attested by witnesses he invents on the spot. The truth, filed under coincidence, with forged supporting papers. ↩
46 line 389 — He swings toward the dark on instinct — one beat too late, and the poem knows it: the fear "that as she took hold she might mark the scar" arrives with the water already poured. For once the master of foresight has missed a variable: he asked for the one washer who bathed the leg ten thousand times. ↩
47 line 392 — "At once she knew the scar" — and the poem, at the exact instant of contact, opens a seventy-five-line window onto Parnassus. The scar digression is the most famous narrative suspension in literature (Auerbach built Mimesis on it): between her fingers touching the scar and the shin hitting the basin, the poem inserts the scar's whole biography — grandfather, naming, hunt, wound, healing, homecoming. Recognition, the poem insists, is not a point but a depth: what Eurycleia touches is a story, so the story must be told. ↩
48 line 396 — Autolycus, "who outdid all men in thievery and the oath" — sanctioned by Hermes himself. The grandfather's arts are the oblique oath and the profitable theft: Odysseus' μῆτις has a maternal pedigree, god-given, two generations deep. The poem does not blush: the best man of his age descends from the best thief of his. ↩
49 line 401 — Eurycleia laid the newborn on Autolycus' knees and asked for the name — the very woman now holding the leg the name grew into. The digression's frame is exact: the woman who asked for the name is his recognizer; Autolycus chose it, and she has been present at both ends of it. ↩
50 line 407 — The naming: "Since I have come to this place at odds with many... let Odysseus, Man at Odds, be the name he carries." Autolycus names the child from his own condition (ὀδυσσάμενος — having incurred wrath, being at odds), the pun this translation has shadowed since 1.62 ("at odds with Odysseus") and 19.275 (ὀδύσαντο). The name is a grandfather's grudge made hereditary — a life sentence of friction with gods and men, handed down at supper. "Child of many prayers" (πολυάρητος, 404) was the alternative reading; the poem chose both: prayed-for and at odds — the whole man in two etymologies. ↩
51 line 416 — Amphithea's greeting — "kissed his head, and both his beautiful eyes" — is the family's fixed embrace: Eumaeus greeted Telemachus with it (16.15), Penelope her son (17.39). Three generations, one gesture; the digression roots the family's own formulas in the grandmother's arms. ↩
52 line 433 — Dawn strikes the plowlands "out of the deep smooth stream of Ocean" as the hunt climbs Parnassus: the boyhood memory keeps epic time, with sunrise from Ocean and the mountain's windy folds. The digression is built like a miniature epic day — feast, sleep, dawn, aristeia, wound, healing, homecoming — Odysseus' whole life-pattern rehearsed in boyhood. ↩
53 line 439 — The boar's lair — windproof, sunproof, rainproof, deep in dead leaves: the same three-fold impenetrability as the thicket where Odysseus slept on Scheria (5.478ff). The poem beds its hero and the beast in the same shelter, a generation apart: the boar is his older double, dug into the island of his blood. ↩
54 line 454 — "Down in the dust he went, bleating, and the life flew out of him" — the boar dies in Irus' line (18.98: "he went down bleating in the dust"). Man and beast take the same formula at the two ends of the hero's fighting life: the boyhood hunt, the latest knockdown. The scar was bought with the same sentence it now interrupts. ↩
55 line 457 — The incantation (ἐπαοιδή) that stanches the black blood — the only spell in Homer. The sons of the thief-lord practice song-medicine: words that close wounds, in the family whose gift is words that open them. The poem's oldest magic is a bandage. ↩
56 line 467 — The return from Parnassus is one syllable of contact: "she knew it under her fingers." Then the poem's most famous sound-effect — shin, basin, bronze, water: recognition as a kitchen accident, the clang the whole digression has been holding back. Homer routes the identity of his hero through an old woman's hands and a dropped foot-bath. ↩
57 line 474 — "You are Odysseus — dear child! And I did not know you, not before I had handled all of him — my master." Touch as knowledge — she says it herself: not sight, not voice, handling. The nurse's epistemology is a lifetime of bathing, and her sentence stumbles between second and third person (you — him — my master) as the two men, patient and lord, snap into one. ↩
58 line 478 — Athena turns Penelope's mind aside — the poem's most debated intervention. Eurycleia's eyes go to the queen; the queen cannot receive the look. Whether this protects the plan, or Penelope, or dramatizes what she cannot yet afford to know, the mechanics are stark: the recognition is contained by divine censorship, three feet from the wife it concerns. ↩
59 line 482 — The throat-grip: the hand she nursed "at this breast of yours" closes on her windpipe while the other pulls her close — menace and embrace in one motion, the book's body-language for the whole disguise. And the threat is not idle: "I will not spare even you... that day I kill the other slave-women." He shows his nurse the executioner first and the child second; she takes both without flinching. ↩
60 line 492 — Her answer opens with the household's own formula for shocking speech — "what a word has slipped the fence of your teeth!" (1.64's line, the family idiom) — then gives the vow: "I will hold like solid stone, like iron." The materials are his (his eyes at 211 were horn and iron); the nurse certifies herself in the metallurgy of her master's discipline. ↩
61 line 500 — She offers the audit of the women (as she will deliver it at 22.417ff); he declines — "I will observe them well myself" — holding to the method Telemachus amended at 16.313ff: test in place, trust your own eyes, defer lists. Between the nurse's intelligence and his surveillance, the house's women are now bracketed by two watchers. ↩
62 line 507 — "Covered the scar with his rags": the wound that just detonated the scene is tucked away under costume, and the interview resumes as if the clang had not happened. The rags — the poem's cheapest prop — are asked to hold down the poem's heaviest fact. ↩
63 line 513 — "By day my one delight is weeping" — τέρπομαι, the pleasure-verb, given to grief: mourning as her craft and recreation at once (cf. 15.399ff, "we two will take our pleasure in each other's grim sorrows"). Then the nights: the lying awake, "sharp anxieties crowding round my beating heart" — the poem's clinical picture of chronic grief, drawn by the patient. ↩
64 line 518 — The nightingale: Pandareus' daughter, who killed her own son Itylus "in her blindness of mind" and sings for him always, "pouring, turning, threading her many-noted voice." Grief that became song, made of a mother's fatal error. Penelope reaches for the myth where a wrong choice kills a child — her exact terror: choose wrongly (stay, go, marry, wait) and destroy her son. The simile is a confession wearing plumage. ↩
65 line 524 — The divided heart, in nearly her son's words (16.73–77: bed of her husband, voice of the people, best of the Achaeans) — mother and son carry the same fixed description of her dilemma. But hers adds what his omitted: the son himself now "prays me to go back home, chafing over the estate." The last brace holding her in the house has asked her to leave it. ↩
66 line 535 — "Hear this dream of mine, and read it for me": she commissions an interpretation from the beggar — the dream already contains its own interpreter, who is also its subject, who is also the man she asks. The poem builds a hall of mirrors and sits the married couple down inside it. ↩
67 line 536 — The twenty geese: "it warms me to watch them" (ἰαίνομαι) — and when the eagle kills them she weeps and wails in the dream, and checks on them, relieved, on waking. The famous crux: the suitors' deaths, forecast, are mourned. Perhaps the geese are not the suitors to her but the filled house itself — the waiting-life's furniture, wretched but hers, that revenge will sweep away with everything else. The dream knows what the plot does not admit: that even a rescue is a bereavement to the life it interrupts. ↩
68 line 547 — "No dream but a waking sight" (οὐκ ὄναρ, ἀλλʼ ὕπαρ ἐσθλόν): the eagle files its own vision under reality. The dream deposes that it is not a dream — the strongest available warrant, delivered inside the very form it disclaims. Her skepticism at 560ff answers this claim, not just the content. ↩
69 line 550 — The eagle's exegesis borrows Menelaus' words (4.340 = 17.131): "I will let loose an ugly doom on all the suitors" — the deer-in-lion prophecy's exact clause, now spoken by the husband-bird in her sleep. The poem's prophecies have begun quoting each other; every channel — seer, omen, beggar, dream — now carries the same sentence. ↩
70 line 557 — His reading ends in her own words: "not one shall slip out of death and the fates" = 17.547–548, her response to the sneeze-omen. Husband and wife now complete each other's death-sentences verbatim without knowing they share a text. The marriage of true minds, conducted entirely in formulas. ↩
71 line 562 — The gates of horn and ivory — six lines that founded the West's dream-lore (Virgil took the gates for the Aeneid's most troubling exit). The Greek runs on two puns this translation can only shadow: dreams through ivory (ἐλέφας) deceive (ἐλεφαίρονται); dreams through horn (κέρας) accomplish (κραίνουσι). Ivory-cheat, horn-fulfill: language itself sorting dreams by sound. Note what she is doing: armoring herself against the night's second true prophecy — and note his eyes at 211, "fixed as horn": the true gate has been looking at her all evening. ↩
72 line 571 — "The dawn of the evil name" (δυσώνυμος) — the morning itself gets an epithet of hatred, like Evil-Ilium: her lexicon curses what it cannot prevent. Then, from the floor of her despair, she produces the poem's deus ex machina: the contest of the bow — announced to a beggar, deep in the night, on the eve of the dark of the moon. ↩
73 line 573 — The axes "like the props of a ship on the stocks" (δρυόχους ὥς) — twelve in a row, the arrow threaded through: Odysseus' old trick-shot, his private gymnastics remembered by his wife in shipwright's language. Whatever the rig actually was (socket-rings? helve-eyes? — antiquity already argued), the poem's point is proprietary: only its inventor can repeat it, and she has just made it the bride-price. ↩
74 line 581 — "This house of my marriage, this beautiful house, full of all that sustains life. I think I shall remember it even in my dreams." The saddest sentence she speaks — surrender phrased as a forwarding address for her dreams. Whether the contest is despair, intuition, or collusion below the level of knowledge (the debate is eternal), her timing is the plot's salvation: she arms her husband on exactly the right night, for reasons she does not let herself examine. ↩
75 line 585 — "Odysseus of the many designs will be here first" — he backs the contest under his own full formulaic name, the disguise thinned to one layer of grammar: third person. Every word true; the sentence's speaker its only fiction. πολύμητις Ὀδυσσεύς endorsing the plan of πολύμητις Ὀδυσσεύς. ↩
76 line 589 — "If you were only willing... sleep would never settle on my eyes": the interview's almost-avowal. She has spent the night being charmed like the man in Eumaeus' singer-simile (17.518ff), and says so — then invokes mortal limits (the gods "have set a portion for each thing") and rises. The scene ends at the exact edge of what the plot can survive: one more hour and no wand could have held the marriage apart. ↩
77 line 595 — The bed of groaning, "forever stained with my tears" = her words to Telemachus (17.102–104), now with Evil-Ilium in the third line: her fixed nocturne. She describes the marriage bed to her husband as an instrument of grief — the same bed whose secret will remake it as proof of joy four books from now. ↩
78 line 602 — Lines 602–604 repeat 1.362–364 to the word — the refrain of all her nights, closing the greatest of them as it closed the first we saw: she climbs, she weeps for Odysseus, Athena seals her eyes. The poem ends its long night exactly where it began its first book — except that tonight the man she weeps for is downstairs, lying in the porch, planning sunrise. ↩