The slaughter in the hall.
1But he stripped himself of his rags, Odysseus of the many designs,1
and leapt to the great threshold with the bow and the quiver
full of arrows, and poured out the swift shafts
there at his feet, and spoke among the suitors:
5"So: that contest-past-all-contest is accomplished.2
Now for another mark — one no man has ever hit —
and I shall know if I strike it: if Apollo gives me that glory."
He spoke, and leveled the bitter arrow at Antinous.
And he — he was that instant lifting a beautiful cup,
10a golden one, two-eared, turning it in his hands
to drink the wine; and slaughter was not in his thoughts:3
for who would think, among men at dinner, that one man
in the middle of many — however strong he might be —
would bring on him foul death and the black doom?
15But Odysseus took aim at his throat, and shot,
and the point went clean on through the soft of the neck.
He sagged to one side; the cup dropped out of his hand
as the arrow hit; and at once a thick jet came
up through his nostrils — human blood; and quick, with a kick,
20he shoved the table from him and spilled the food to the floor:
the bread and the roast meats fouled in it. And the suitors
broke into uproar through the house when they saw the man fallen;
up from their chairs they started, driven through the hall,
eyes darting every way along the well-built walls —
25and nowhere was there a shield or a strong spear to seize.4
And they raged at Odysseus with words of fury:
"Stranger, you shoot at men — and it will cost you! No more contests
for you: now your own sheer destruction is certain.
The man you have killed was the very noblest of the young men
30of Ithaca. For this the vultures will eat you — here."
So each man guessed: for indeed they thought he had killed
the man unwilling. The fools — they had not seen it yet:
that on every one of them the cords of death were fastened.5
Then, glaring from under his brows, Odysseus of the many designs replied:
35"You dogs! You kept on saying I would never come home again6
out of the land of Troy: and so you sheared away my house,
and lay with my slave-women by force,
and courted my own wife while I was still alive,
fearing neither the gods who hold wide heaven
40nor any vengeance of men, to come hereafter.
Now on you — on all of you — the cords of death are fastened."
So he spoke; and the pale terror took hold of them all,
and every man peered round for a way to escape sheer destruction.
Only Eurymachus found words, and answered him:
45"If you are truly Odysseus of Ithaca, come home again,7
then all you say is just — all the Achaeans have done,
reckless things in plenty in the hall, in plenty on the land.
But there he lies — the man to blame for everything:
Antinous. He was the one who set these doings on —
50not so much needing the marriage, or wanting it,
but with another purpose, which the son of Cronos never granted:
to be king himself in the land of well-built Ithaca,
and to ambush your son and kill him.
Now he is killed, as was his portion. You — spare your own
55people; and we hereafter, making it good through the land,
all that has been drunk and eaten in your halls,
each of us bringing a payment of twenty oxen's worth,
will pay you back in bronze and gold, until your heart
is warmed. Till then, no one could blame your anger."8
60Then, glaring from under his brows, Odysseus of the many designs replied:
"Eurymachus — not if you handed over all your patrimonies,
everything you now have, and added more from elsewhere,
not even so would I hold my hands back from the killing
before the suitors had paid for the whole trespass.9
65Now the choice lies before you: fight me face to face,
or run — whoever can slip his death and doom.
But I do not think one man of you escapes sheer destruction."
So he spoke; and their knees went slack where they stood, and their hearts.
And Eurymachus called out among them a second time:
70"Friends — this man will not now hold his invincible hands.
He has the polished bow and the quiver: he will shoot
from the smooth threshold until he has killed us all.
Then let our minds be on battle! Draw your swords,
put up the tables against the arrows of quick death,
75and let us all go at him in one body — see if we can
shove him off the threshold and out of the doors,
then through the town, and the alarm raised at once!
Then this man would soon have shot his last."10
So speaking, he drew his sharp sword,
80bronze, two-edged, and leapt at him
with a blood-freezing yell. But in the same instant noble Odysseus
let the arrow fly, and struck his chest beside the nipple,
and drove the swift shaft into his liver. Out of his hand
the sword dropped to the ground; he doubled over the table
85and crumpled, sprawling across it, and spilled the food to the floor
and the two-eared cup. His forehead beat the earth
in his heart's agony; both feet kicked out,
rattling the chair; and the mist poured down over his eyes.11
Then Amphinomus went for glorious Odysseus,
90charging him head-on, his sharp sword drawn,
to see if he might give way from the doors. But Telemachus
was too quick: he caught him from behind with the bronze spear
square between the shoulders, and drove it through his chest,
and he fell with a crash, and struck the ground full with his forehead.12
95And Telemachus sprang back, leaving the long-shadowed spear
there in Amphinomus: for he feared that as he pulled
the long spear out, some Achaean might rush in
and cut him with a sword, or strike him as he stooped.
He ran, and came quickly to his dear father,
100and standing close he spoke winged words:
"Father — now I will bring you a shield and two spears
and a helmet all of bronze, fitted to your temples;
and I will arm myself as I go, and give the swineherd
the same, and the cowherd. Armored is better."
105Then Odysseus of the many designs answered him:
"Run — bring them, while I still have arrows to fight with,
or they will force me from the doors, one man alone."
So he spoke; and Telemachus obeyed his dear father
and went to the storeroom where the famous arms were lying.
110He took out four shields, and eight spears,
and four bronze helmets thick with horsehair,
and came carrying them fast to his dear father.
He girded the bronze on his own body first,
and in the same way the two slaves put on the fine armor,
115and they took their stand around Odysseus — the deep mind, the shifting counsels.13
And he, so long as he had arrows to fight with,
kept aiming, and dropping suitors in his own house,
one man after another: they fell in heaps.
But when the arrows failed the master archer,
120he leaned the bow against the doorpost of the strong-built hall,
to stand there by the shining entrance-wall,
and threw about his shoulders a shield of four hides,
and set on his mighty head a well-made helmet,
horsehair-crested, the plume nodding terror from the top,
125and took up two strong spears, headed with bronze.14
Now there was a raised side-door in the well-built wall,15
and level with the top of the threshold of the strong hall
an exit to a passage, closed with well-fitted boards.
Odysseus set the noble swineherd to watch it,
130posted close: it was the single way out.
And Agelaus spoke to them all, putting the word to everyone:
"Friends — could not someone climb through the side-door
and get word to the people, and the alarm be raised at once?
Then this man would soon have shot his last."
135Then Melanthius the goatherd answered him:
"No way, Agelaus, Zeus-nurtured: the fine gates of the courtyard
are terribly near, and the mouth of the passage is cruel:
one man could hold it against all comers — any man with strength in him.
No — wait: let me bring you armor from the storeroom
140to harness you. For it is in there, I am certain — nowhere else —
that Odysseus and his shining son have stowed the arms."16
So speaking, Melanthius the goatherd climbed up
through the smoke-vents of the hall to the storerooms of Odysseus,
and took out twelve shields, as many spears,
145as many bronze helmets thick with horsehair,
and came back fast and gave them to the suitors.
And then the knees of Odysseus went slack, and his heart,
when he saw them buckling on the armor and brandishing
the long spears in their hands: the work now looked great to him.17
150And quickly he spoke winged words to Telemachus:
"Telemachus — one of the women in the halls is stoking
the evil war against us — that, or it is Melanthius."
Then clear-headed Telemachus answered him:
"Father, the fault is mine — my own, no other's —
155I left the storeroom's close-fitted door
standing ajar. Their lookout was sharper than I was.18
Go, noble Eumaeus: close the storeroom door,
and find out whether it is one of the women doing this,
or Dolius' son Melanthius — he is the one I think it is."
160So they spoke to one another of such things.
And Melanthius the goatherd went again to the storeroom
to bring out more fine armor. But the noble swineherd marked him,
and quickly said to Odysseus, standing near:
"Zeus-born son of Laertes, Odysseus of the many devices —
165there he goes again, that ruinous man, the one we guessed:
into the storeroom. Tell me straight out:
do I kill him — if I prove the better man —
or bring him here to you, to pay for the trespasses,
the many, that man has schemed in your house?"
170Then Odysseus of the many designs answered him:
"I and Telemachus will hold the lordly suitors
penned inside the hall, rage as they may.
You two: twist his feet and hands behind him,
throw him into the storeroom, tie boards fast at his back,
175make a braided rope fast to him, and haul him
up the tall pillar, up close to the roof-beams —
so that he lives on a long while, suffering hard pains."19
So he spoke; and they listened well and obeyed:
they went to the storeroom — the man inside did not see them —
180and there he was, hunting armor in the room's far corner,
while the two of them stood waiting either side of the doorposts.
And as Melanthius the goatherd came over the threshold,
in one hand carrying a beautiful helmet,
in the other a broad shield, an old one, mottled with mildew —
185the hero Laertes' shield, which he carried in his young days,
long since laid by, the stitches of its straps rotted out —20
the two of them sprang and seized him, and dragged him in by the hair,
and threw him to the floor for all his anguish of heart,
and bound his feet and hands with a heart-grieving knot,
190wrenched hard behind him, through and through, as ordered
by Laertes' son, much-enduring noble Odysseus;
then they made a braided rope fast to him, and hauled him
up the tall pillar, up close to the roof-beams.
And taunting him you spoke, Eumaeus the swineherd:21
195"Now you will keep watch indeed, Melanthius — the whole night through,
stretched out on the sort of soft bed you deserve;
and the early-born one out of Ocean's streams will not
slip past you as she comes, on her golden throne, at the hour
you drive in goats for the suitors, to make their feast in the hall."
200So he was left there, racked in the deadly binding;
and the two got into their armor, shut the shining door,
and went back to Odysseus — the deep mind, the shifting counsels.
There they stood, breathing fury: on the threshold
four men; inside the hall, many men, and good ones.
205And now Athena, daughter of Zeus, came near them,
likened to Mentor in body and in voice.
Odysseus was glad at the sight of her, and said:
"Mentor — beat off ruin! Remember your old companion,
who did you good service — and you my own age-mate!"22
210So he spoke, guessing it was Athena, rouser of armies.
And the suitors on their side bellowed through the hall,
Agelaus, Damastor's son, first to threaten her:
"Mentor — don't let Odysseus talk you around
into fighting the suitors and defending him.
215For here is how I think our purpose will be accomplished:
when we have killed these two, father and son,
you will be killed with them — for the things you are minded
to do in this hall. Your own head will pay the price.
And when the bronze has stripped the force from all of you,
220everything you own, indoors and out,
we will pool with the goods of Odysseus. Your sons
we will not let live in your halls; your daughters
and your true-hearted wife will not walk free in the town of Ithaca."23
So he spoke; and Athena's heart grew angrier yet,
225and she lashed Odysseus with words of fury:
"Odysseus — where is your strength gone? Where is the fight in you —
you who for Helen's sake, the white-armed, the nobly fathered,
nine years on end battled the Trojans without a break
and killed many men in the terrible fighting?
230By your counsel the wide-wayed city of Priam was taken!
How is it that now, come home to your own house and goods,
face to face with the suitors, you whimper about being brave?24
Here, old friend — stand by me and watch the work,
and learn what kind of man, among enemy fighters,
235Mentor, Alcimus' son, is at repaying kindness."
She spoke — and did not yet grant victory outright to either side,
but went on testing the strength and fight
of Odysseus and of his glorious son.
And she herself darted up to the roof-beam of the smoke-stained hall
240and perched there — like a swallow, face-on.25
Now Agelaus, Damastor's son, rallied the suitors,
with Eurynomus, Amphimedon, Demoptolemus,
Peisander Polyctor's son, and Polybus the shrewd:
for these were far the best of the suitors in prowess,
245of all who still lived and fought for their lives —
the rest the bow and the crowding arrows had brought down.
And Agelaus spoke to them all, putting the word to everyone:
"Friends — now this man's invincible hands will stop.
Mentor has left him — after the empty boasting —
250and they are alone at the outer doors.
So do not throw your long spears all together:
come — you six throw first, and see if Zeus
will grant that Odysseus be hit, and we win the glory.
The rest are no concern, once that man falls."26
255So he spoke; and they all threw as he ordered,
hungry for it. And Athena made every cast come to nothing:
one man's spear struck the doorpost of the strong-built hall,
another's the close-fitted door itself,
another's ash shaft, heavy with bronze, slammed into the wall.
260And when they had weathered the suitors' spears,
much-enduring noble Odysseus began among his men:
"Friends — now it is mine to say it: throw!
Into the crowd of the suitors — men wild to strip our corpses
on top of the wrongs they did before."27
265So he spoke; and they all threw their sharp spears,
aiming straight ahead: Odysseus killed Demoptolemus;
Telemachus, Euryades; the swineherd, Elatus;
and the man in charge of the cattle killed Peisander.
All of those together bit the vast floor with their teeth,
270and the suitors fell back into the deep of the hall;
and the others charged, and pulled their spears from the corpses.
Again the suitors threw their sharp spears,
hungry for it; and Athena made the many casts come to nothing:
one man's spear struck the doorpost of the strong-built hall,
275another's the close-fitted door itself,
another's ash shaft, heavy with bronze, slammed into the wall.
But Amphimedon caught Telemachus on the wrist —
a graze: the bronze just broke the surface of the skin;
and Ctesippus, over the shield, scratched Eumaeus
280on the shoulder with his long spear: it skipped and fell to earth.28
Then those around Odysseus — the deep mind, the shifting counsels —
threw their sharp spears into the crowd of the suitors:
and this time Eurydamas fell to Odysseus, sacker of cities;
Amphimedon to Telemachus; Polybus to the swineherd;
285and then Ctesippus fell to the man in charge of the cattle,
struck full in the chest; and he crowed over him:
"Son of Polytherses — you lover of a good jeer! — never again
give way to your folly and talk big. Leave the word
to the gods: they are far stronger than you.
290This is your guest-gift in return — to match the ox-hoof
you gave godlike Odysseus once, when he begged through his own hall."29
So spoke the herdsman of the spiral-horned cattle. And Odysseus
wounded Damastor's son, close in, with the long spear;
and Telemachus wounded Leocritus, Evenor's son,
295clean in the flank with his spear, and drove the bronze through:
he pitched forward and struck the ground full with his forehead.
And now Athena raised the aegis that wastes mankind,30
high from the roof; and their wits scattered in terror,
and they stampeded through the hall like a herd of cattle
300when the darting gadfly falls on them and whirls them wild
in the season of spring, when the long days come in.
And the others — like vultures with hooked claws and curving beaks
that come down out of the mountains on the smaller birds:
these skim the plain, cowering away from the clouds,
305but the vultures stoop and kill them; no defense,
no flight — and men delight to watch the hunting:
so those four, rushing the suitors through the house,
struck them down left and right; and hideous groaning rose
as heads were smashed, and the whole floor smoked with blood.
310But Leodes ran in and caught Odysseus by the knees,
and clasping them in supplication spoke winged words:
"By your knees, Odysseus — respect me, pity me!
I tell you I never said a word to any woman
in your halls, never did one reckless thing — no: I kept trying
315to stop the others, the suitors, when one would do such things.
But they would not listen, would not hold their hands from evil,
and so through their own recklessness they have met an ugly fate.
And I, their sacrifice-diviner, having done nothing,
am to lie down with them: no thanks, hereafter, for good service!"31
320Then, glaring from under his brows, Odysseus of the many designs replied:
"If you declare yourself their sacrifice-diviner,
then many a time, no doubt, you must have prayed in my halls
that the accomplishment of my sweet homecoming be far away —
that my dear wife go with you, and bear you children.
325For that you shall not slip beneath a death that lays men low."32
So speaking, he took up in his strong hand a sword
that lay there — Agelaus had dropped it to the ground
as he was killed — and drove it through the middle of his neck:
and while he was still speaking, his head mixed with the dust.33
330But the singer still dodged the black doom — Terpes' son,
Phemius, who sang among the suitors under compulsion.34
He stood with the clear lyre in his hands
close by the side-door, and his mind was split two ways:
whether to slip out of the hall to the great altar of Zeus
335of the Courtyard, and sit there on the masoned stone
where Laertes and Odysseus had burned so many
thighbones of oxen — or rush forward and clasp Odysseus' knees.
And as he weighed it, this seemed to him the better way:
to take hold of the knees of Laertes' son Odysseus.
340So he set the hollow lyre down on the ground
between the mixing-bowl and the silver-studded chair,35
and rushed forward himself and caught Odysseus by the knees,
and clasping them in supplication spoke winged words:
"By your knees, Odysseus — respect me, pity me!
345On you yourself the grief will fall hereafter, if you kill
a singer — me — who sing for gods and for men.
I am self-taught: a god has planted in my heart36
all the pathways of song; and I am fit to sing beside you
as beside a god. Do not be hungry to cut my throat.
350And Telemachus would tell you this — your own dear son:
that it was never by my will, never for want of mine,
that I came to your house to sing at the suitors' feasts:
they were more, and stronger — they marched me here by force."
And the sacred strength of Telemachus heard him,
355and quickly spoke to his father, standing near:
"Stop! He is guiltless — do not cut him with the bronze.
And Medon the herald let us save as well, who always
cared for me in our house when I was a child —
unless Philoetius has killed him already, or the swineherd,
360or he met you as you stormed along the hall."37
So he spoke; and Medon heard him — a man of sensible mind —
for he lay cowering under a chair, wrapped up
in a fresh-flayed oxhide, dodging the black doom.
Up from under the chair he came at once, stripped off the oxhide,
365and rushed forward and caught Telemachus by the knees,
and clasping them in supplication spoke winged words:
"Friend — here I am: myself! Hold back, and tell your father,
before in his overmastering strength he cuts me down with the sharp bronze
in his rage at the suitor-men — the men who sheared away
370his goods in the halls, and honored you not at all, the fools."38
And Odysseus of the many designs smiled at him and said:
"Take heart: this man has pulled you clear and saved you —
so you may know in your heart, and tell another too,
how doing good outruns doing evil, and by far.
375Now out of the hall with you, and sit in the courtyard,
away from the slaughter — you and the singer of many songs —
while I finish in the house the work that I must."39
So he spoke; and the two of them went out of the hall
and sat down by the altar of great Zeus,
380peering about on every side, expecting death each moment.
And Odysseus peered through his own house, for any man
still living, hiding there, dodging the black doom.
But he saw them all, the whole count of them, in blood and dust
fallen — so many, like fish that fishermen40
385have hauled from the gray sea in the mesh of a net
onto the curved beach: heaped on the sand they lie,
all of them, aching for the waves of the sea,
and the shining Sun takes the life out of them:
so the suitors lay heaped on one another.
390Then Odysseus of the many designs said to Telemachus:
"Telemachus — go, call me the nurse Eurycleia,
so I can tell her the word that is on my mind."
So he spoke; and Telemachus obeyed his dear father,
and rattling the door he called the nurse Eurycleia:
395"Up with you, and come, old woman born long ago —
you who are overseer of our serving-women in the halls.
Come: my father calls you; he has something to say."
So he spoke; and for her the word stayed wingless.41
She opened the doors of the well-settled halls
400and came; and Telemachus led the way before her.
And she found Odysseus among the bodies of the slain,
spattered with blood and gore, like a lion42
that comes from feeding on an ox of the farmstead:
all his chest, and his cheeks on either side,
405are bloody, and he is terrible to look in the face:
so was Odysseus spattered — feet, and hands above them.
And she — when she saw the corpses and the sea of blood,
she opened her mouth to raise the cry of triumph: such a work
she saw accomplished. But Odysseus checked her, and held her back,
410hot as she was, and spoke winged words to her:
"In your own heart rejoice, old woman — and hold it in: no cries.
It is unholy to glory over slaughtered men.
These men the doom of the gods has broken, and their own ruthless deeds:
for they honored nobody on this earth,
415bad man or good, whoever came among them —
and so through their own recklessness they have met an ugly fate.
But come now, name me the women of the halls:
which of them dishonor me, and which are guiltless."43
Then the dear nurse Eurycleia answered him:
420"Then I will tell you, child, the whole truth of it.
You have fifty serving-women in your halls —
slave-women we have taught to work their work,
to card the wool and to bear the lot of slavery.
Of these, twelve in all have walked the road of shamelessness:
425no respect for me — none for Penelope herself.
Telemachus is only newly grown; his mother
would not let him give commands to the serving-women.
But come — let me climb to the bright upper room
and tell your wife. Some god has laid a sleep on her."44
430Then Odysseus of the many designs answered her:
"Do not wake her yet. Tell them to come here —
the women who all this while contrived their shamelessness."
So he spoke; and the old woman went off down the hall
to carry word to the women and hurry them along.
435And he called Telemachus to his side, and the cowherd,
and the swineherd, and spoke winged words to them:
"Begin carrying out the dead, and set the women to it;
and after that, the beautiful chairs and the tables —
have them cleaned with water and porous sponges.
440And when you have set the whole house in order,
lead the serving-women out of the strong-built hall
to the spot between the roundhouse and the good courtyard fence,
and cut them down with the long swords, till you have stripped
the life from all of them, and they have forgotten Aphrodite —
445the sweetness they took under the suitors, coupling in secret."45
So he spoke; and the women came in a huddle, all of them,
wailing terribly, the big tears streaming down.
First they carried out the corpses of the dead
and laid them under the portico of the well-fenced courtyard,
450propping them against each other; and Odysseus commanded,
hurrying the work himself; and they carried them out — under force.46
And after that they cleaned the beautiful chairs and the tables
with water and porous sponges;
and Telemachus, with the cowherd and the swineherd,
455scraped the floor of the strong-founded house
with hoes, and the slave-women carried the scrapings out of doors.
And when they had set the whole hall in order,
they led the serving-women out of the strong-built hall
to the spot between the roundhouse and the good courtyard fence,
460and penned them in the narrow place, where there was no way out.
And clear-headed Telemachus began, and spoke among them:
"By no clean death will I take the lives of these —
these who poured their insults on my head,
on my own mother, and slept beside the suitors."47
465So he spoke; and he made the cable of a dark-prowed ship
fast to a great pillar, and flung it round the roundhouse,
stretched taut, up high, so no foot could reach the ground.
And as when thrushes with their long wings, or doves,
strike into a snare set up in a thicket,
470heading in to roost, and a hateful bed receives them:
so the women held their heads in a row, and round every
neck a noose was laid, that they might die most pitiably.
They kicked out with their feet a little while — not very long.48
And Melanthius they dragged out through the porch and the courtyard:
475they sliced away his nose and ears with the pitiless bronze
and tore out his genitals, raw meat for the dogs to share,
and lopped off his hands and feet in their fury of heart.49
Then they washed their own hands and feet
and went into the house to Odysseus: the work was accomplished.
480And he spoke to the dear nurse Eurycleia:
"Bring sulfur, old woman — the cure of evils — and bring me fire,
so I can fume the hall with it. And bid Penelope
come down to me, with her attendant women;
and rouse all the serving-women in the house to come."50
485Then the dear nurse Eurycleia answered him:
"Yes, my child — all this you have said as it should be.
But come, let me bring you clothes, a cloak and a tunic:
do not stand in your halls like this, with your broad shoulders
wrapped in rags. That would be a thing to blame."51
490Then Odysseus of the many designs answered her:
"First of all: let there be fire for me in the hall."
So he spoke; and the dear nurse Eurycleia did not disobey,
but brought the fire and the sulfur; and Odysseus
fumed through and through the hall, the house, the courtyard.52
495And the old woman went off up through the beautiful house of Odysseus
to carry word to the women and hurry them along;
and out of the hall they came, torches in their hands,53
and they poured around Odysseus, and embraced him,
and kissed his head and his shoulders, welcoming him,
500catching and clasping his hands; and a sweet longing seized him
to weep and to sob: for in his heart he knew them all.
1 line 1 — The book opens on the shedding of the rags — γυμνώθη, "he was stripped bare": the disguise falls in a single verb, and the leap to the threshold follows in the same breath. Nine books of costume come off in half a line; the arrows pour out at his feet like the truth arriving all at once. ↩
2 line 5 — "That contest-past-all-contest is accomplished. Now for another mark — one no man has ever hit": the transition from game to war is announced as a change of target. The prayer-tag — "if Apollo gives me that glory" — keeps the archer-god's feast day in play: he asks the god of the day for the day's real event. ↩
3 line 9 — Antinous dies mid-luxury: the golden two-eared cup just raised in his hands, "and slaughter was not in his thoughts." The poem pauses to defend his obliviousness — who could imagine one man among so many? — and by defending it convicts the whole party: their safety-in-numbers was their moral arithmetic all along. The beggar's curse (17.475–476: death "before any wedding") and the narrator's sentence (21.98–100: first to taste an arrow) are both paid here, at the throat, through the soft of the neck. ↩
4 line 24 — "Nowhere was there a shield or a strong spear to seize" — the smoke-speech's payoff, one book late: the walls the suitors scan were emptied by two men in Book 19 under a golden lamp. The furniture of their doom was arranged while they slept at home. ↩
5 line 31 — The suitors' first theory — the beggar shot a man by accident — is a masterpiece of self-blindness, and the narrator files it under the poem's oldest word for them: νήπιοι, fools. The cords-of-death line (33) then returns in Odysseus' own mouth at 41 — the narrator's judgment become the executioner's sentence, re-inflected for the man who will carry it out. ↩
6 line 35 — "You dogs!" — the reveal-speech is an indictment in four counts: the house sheared away, the slave-women forced, the wife courted with the husband alive, and the double fearlessness — no fear of gods, no fear of men's vengeance to come. It is the poem's whole case-file read aloud in six lines; the verdict ("the cords of death are fastened") had already been delivered by the narrator. Note what he does not say: his name. The proof is the shot; identity here is competence. ↩
7 line 45 — Eurymachus' "if you are truly Odysseus" concedes and negotiates in one motion — every charge admitted ("all you say is just"), the blame posthumously assigned to Antinous, complete with a new theory (he wanted the kingship and the boy's death, not the bride), and then the offer: twenty oxen per man, bronze and gold "until your heart is warmed." It is the best speech available to a doomed man — and an exact repetition of his method with Penelope (16.434ff): soothe, flatter, redirect, lie. ↩
8 line 54 — "Now he is killed, as was his portion" — ἐν μοίρῃ: Eurymachus files his friend's corpse under destiny while it is still warm, the better to argue the account closed. The suitors' solidarity dissolves at the first arrow; the second-in-command's eulogy for the first is a plea-bargain. ↩
9 line 61 — The refusal is absolute and financial: not all their patrimonies, "and added more from elsewhere," would stay his hands "before the suitors had paid for the whole trespass" (ὑπερβασίην ἀποτῖσαι) — the payment metaphor turned back on the men offering payment. Restitution is refused because the debt is not denominated in oxen. Then the terms: fight or run — with the codicil that no one escapes. It is the only speech in the poem where Odysseus tells the complete truth about the immediate future. ↩
10 line 70 — Eurymachus' battle-order is tactically excellent — swords out, tables for shields, mass rush to shove the archer off the threshold, raise the town. It is exactly what might have worked, and the poem lets him say it before killing him mid-charge: the ablest suitor dies proving the analysis right — "this man will not now hold his invincible hands" — as prophecy, not plan. ↩
11 line 79 — Eurymachus' death lands on the furniture of his crimes: arrow in the liver, he doubles "over the table" and spills the food to the floor — dying across the banquet he ate for four years, kicking the chair, his forehead beating the ground. At 18.384–386 the beggar promised him the doors would be too narrow for his flight; he never reaches them — the table catches him first. ↩
12 line 89 — Amphinomus charges — and dies from behind, on Telemachus' spear, exactly as Athena bound him at 16.155–156 ("to be broken under the hands and spear of Telemachus"). The one suitor who was warned, believed the warning, and stayed anyway, is killed by the son of the man who tried to save him. The poem grants him a warrior's rush and no speech: his story was finished in Book 18; this is only the date falling due. ↩
13 line 113 — Telemachus arms first, then the two slaves, "and they took their stand around Odysseus." The four-man phalanx of the house: father, son, swineherd, cowherd — the loyalty audit of twenty books compressed into a defensive formation. The epithet-pair given Odysseus here (δαΐφρων ποικιλομήτης, "the deep mind, the shifting counsels") is the war-Odysseus of the Iliad, recalled to duty. ↩
14 line 119 — The transition from bow to spear: the bow — its work done — is leaned against the doorpost "by the shining entrance-wall," retired mid-battle like a tool returned to its rack, and the Iliadic panoply comes on piece by piece: four-hide shield, horsehair crest "nodding terror." The Odyssey's weapon yields to the Iliad's; the poem shifts genre in an arming-scene. ↩
15 line 126 — The side-door and the passage: the poem stops mid-battle for architecture, because the battle is architecture — one raised door, one cruel-mouthed alley, one man posted. Agelaus' sensible plan (raise the town) dies against a doorway; Ithaca's civic world stays sealed outside its own crisis until Book 24. ↩
16 line 136 — Melanthius' counter-proposal — armor from the storeroom — is the battle's one real reversal, and it comes from the household traitor who knows the house: he climbs "through the openings of the hall" (ῥῶγες — whatever exactly they were, he knows them). Twelve shields, twelve spears: the goatherd arms a dozen dead men and seals his own mutilation. ↩
17 line 147 — "The knees of Odysseus went slack, and his heart" — the formula of terror-at-death, last applied to him amid the Book 5 storm and landing (5.297, 5.406). The sea's worst fear-line comes ashore here: the plan's single unraveling, armed suitors in his own hall, everything won and suddenly at stake again. "The work now looked great to him" — μέγα ἔργον: the same flat phrase as ever, doing enormous duty. ↩
18 line 154 — "The fault is mine — my own, no other's": Telemachus' confession, instant and complete, in front of the men he armed by his lapse. No excuse, no deflection — the door left ajar named as his own. The poem has been growing this boy for twenty-one books; his manhood arrives not with the spear-kill at 93 but here, in the unforced admission of error under fire. ↩
19 line 173 — The order for Melanthius: not death — storage. Trussed backward, boarded, hauled up the pillar "close to the roof-beams, so that he lives on a long while, suffering hard pains." The man who slept soft and ate at the suitors' table is hung in the rafters of the storeroom he looted, alive, to wait. Odysseus' cruelty is architectural: each punishment fitted to its crime's location. ↩
20 line 184 — In Melanthius' hands as he is caught: Laertes' shield — "an old one, mottled with mildew... the stitches of its straps rotted out." The traitor is arrested holding the grandfather's rotted war-gear: three generations of the house in one object, dishonored twice over — by decay, and by the hands carrying it. ↩
21 line 194 — The apostrophe, in its cruelest key: "And taunting him you spoke, Eumaeus the swineherd" — the poet's tender second-person address now introducing a torture-taunt. Eumaeus' mockery is built of dawn-formulas: the golden-throned early-born one will not "slip past" the trussed man — the loveliest lines in the poem's repertoire, recited to a man hanging in a storeroom. The gentle swineherd has a war voice; the poem does not pretend otherwise. ↩
22 line 208 — Odysseus greets "Mentor" with a veteran's claim — remember your companion, we are age-mates — "guessing it was Athena." The double consciousness is the whole relationship: he plays the scene as written (an old friend asked for help) while trusting his guess that his interlocutor built the theater. Faith, in this poem, is continuing to act well in a play you believe you have seen through. ↩
23 line 216 — Agelaus' threat to Mentor is the suitors' whole world-view in miniature: they will kill the old man for helping, pool his goods with Odysseus', kill his sons, and forbid his wife and daughters the town. Even now — their leaders dead, the archer revealed — their imagination runs on confiscation and the control of women. It is the last policy speech of the suitor regime. ↩
24 line 226 — Athena's rebuke is the goddess's oldest trick — rage as fuel: where is the man of the nine years, of the wooden horse ("by your counsel the wide-wayed city of Priam was taken")? The taunt "you whimper about being brave" is unfair and deliberate, and it is also the poem's only direct set-piece linking this hall to Troy: the Iliadic résumé read out at the door of the dining room, to shame the hero into being himself. ↩
25 line 239 — She tests, withholds victory, "and perched on the roof-beam — like a swallow, face-on." The bowstring sang "like a swallow's voice" at 21.411; now the goddess takes the same bird's shape above the killing. The swallow — house-bird, spring-bird, returner — has become the emblem of the whole revenge: the small dark shape under the roof, singing that the year has turned. ↩
26 line 251 — Agelaus' fire-discipline — six at a time, concentrate on Odysseus, "the rest are no concern" — is sound doctrine, and the poem honors the suitors' best men with real tactics before Athena voids them. Every volley lands in doorpost, door, and wall: the house itself absorbs their war, as it absorbed their feasting. ↩
27 line 262 — Odysseus' counter-order is four words of Greek and a justification: they mean "to strip our corpses on top of the wrongs they did before" — even now, the offense is framed as the suitors' next planned outrage. The volley that follows is the battle's turn: four throws, four dead, the names ticked off in three tight lines. ↩
28 line 277 — The defenders' entire casualty list: a grazed wrist, a scratched shoulder. The poem permits the suitors two touches — enough to prove Athena is testing, not puppeteering — and no more. Amphimedon's graze will be his one mark on the story; his shade will retell this battle to Agamemnon in Book 24. ↩
29 line 287 — Philoetius kills Ctesippus and delivers the receipt: "This is your guest-gift in return — to match the ox-hoof you gave godlike Odysseus." The ξεινήϊον-joke of 20.296 comes back with the same word and a spear behind it; the cowherd even appends the moral ("leave the word to the gods"). The poem's economy of insult is exact: mock hospitality once, and hospitality's ledger sends a herdsman to collect. ↩
30 line 297 — The aegis, raised "high from the roof" — no more testing: the rout. The two similes that follow split the scene by species: the suitors are herd-cattle scattered by the gadfly in lengthening spring days; the killers are hook-clawed vultures out of the mountains, and "men delight to watch the hunting." That last clause is the poem daring us to admit where we sit. ↩
31 line 312 — Leodes' plea carries the poem's partial warrant: 21.144–147 showed him alone hating the suitors' outrages. But only the indignation is certified — "I did nothing," "I tried to stop them" are his own claims, entered unwitnessed. His argument is the just man's: "no thanks, hereafter, for good service!" — the bitter proverb of the falsely lumped-in — and it is the book's hinge question: can presence alone convict? ↩
32 line 322 — The answer: yes. "If you were their diviner, you must often have prayed... that my sweet homecoming be far away." Odysseus convicts him not on acts but on office — the mob's chaplain prayed the mob's prayers — and on desire: "that my dear wife go with you." No evidence is offered; none, in this hall, is required. The head "mixed with the dust" while still speaking: the sentence outruns the plea mid-word. This is the killing the poem makes hardest to applaud, and it means to. ↩
33 line 327 — The sword is Agelaus' — dropped as he died. Odysseus does not even spend his own weapon on the diviner: the suitors' gear executes the suitors' priest. The economy is total now; everything in the hall has changed sides. ↩
34 line 331 — Phemius, "Terpes' son" — Delight's son, the poem's own trade fully pedigreed — who sang "under compulsion" (the narrator vouches; ἀνάγκῃ). His deliberation — Zeus's altar or Odysseus' knees — weighs sanctuary against supplication and picks the human option: in this hall today, the man is more present than the god. ↩
35 line 341 — Before he begs for his life he puts down the lyre — "between the mixing-bowl and the silver-studded chair." Two lines of stage direction on which the whole scene turns: a man who sets his instrument down properly while expecting his own beheading has proved his vocation better than any plea. The poet saves the singer; first the singer saves the song. ↩
36 line 347 — "I am self-taught: a god has planted in my heart all the pathways of song" — the most important sentence about poetry in Homer. Self-taught and god-planted: originality and inspiration claimed in one breath, no contradiction felt. Every argument about the poet's craft for the next three millennia is folded into this couplet, spoken by a man on his knees between corpses. ↩
37 line 357 — Telemachus' interventions save the two spared lives of the massacre: the singer ("he is guiltless") and the herald who minded him as a child. The son's mercy-list is exactly as long as his evidence; the poem lets the boy who chose the maids' deaths also be the voice that stops two wrongful ones. Justice in this house runs through his testimony either way. ↩
38 line 363 — Medon under the chair in a fresh-flayed oxhide — terror as low comedy, the herald hidden in the very upholstery of the feast. He springs out at the sound of his own reprieve. The poem, ankle-deep in blood, permits itself one clown-beat — and even that beat carries the theme: survival goes to those the household's children vouch for. ↩
39 line 372 — Odysseus "smiled at him" — the first smile of the aftermath (the sardonic one at 20.301 came before the killing): this one real. His maxim to the spared — "doing good outruns doing evil, and by far" — is the massacre's official moral, delivered while the floor still smokes. He sends both survivors out to the altar: the god skipped for the knees now receives the saved. ↩
40 line 384 — The fish simile: the dead heaped like a netted catch poured out on the sand, "aching for the waves of the sea, and the shining Sun takes the life out of them." The suitors die a second death in the image — gasping landward creatures who belonged to another element. It is the poem's pitiless pity: no blame in the simile at all, just bodies that wanted to live, expiring in the light. The sea-poem gives its land-battle a drowning in reverse. ↩
41 line 398 — The wingless word, fourth and last (17.57; 19.29; 21.386): Eurycleia obeys the summons in silence. Every occurrence has attended a woman receiving instructions at the plot's hinges; the formula retires here, at the door between the massacre and the house of women. ↩
42 line 402 — The lion simile for the man himself: blood to the cheeks, "terrible to look in the face." Eurycleia finds not her nursling but the predator of the deer-in-lair prophecy (4.335ff = 17.126ff) standing in its accomplished den. The poem has promised this lion since Sparta; it delivers him gore-fed, in his own dining room. ↩
43 line 412 — The rebuke of the ololyge — the book's moral summit: "In your own heart rejoice, old woman — and hold it in: no cries. It is unholy to glory over slaughtered men." He does not deny the joy — he licenses it, inwardly — but the victory-shriek over corpses is forbidden as ὁσίη, sacrilege. Then the theology: "these men the doom of the gods has broken, and their own ruthless deeds" — two causes yoked in one breath, with the killer grammatically absent. It is either the profoundest piety in the poem or its most sublime self-exculpation; the poem's answer is that they are the same sentence. ↩
44 line 422 — The audit Eurycleia has waited three books to deliver (19.495ff): fifty women; twelve "walked the road of shamelessness." She adds the mitigation herself — Telemachus was too young to command them; the mistress kept the discipline. The nurse's arithmetic is careful and damning at once — and her move to wake Penelope is blocked again: the reunion must wait its own book. ↩
45 line 438 — The orders sequence the horror with domestic precision: corpses out, furniture sponged, house set in order — then the women out between roundhouse and fence, "and cut them down with the long swords." The killing is scheduled like a chore at the end of the cleaning, and the sentence's stated target is memory itself: "till they have forgotten Aphrodite." The dead men dined; the women who slept are to be erased. ↩
46 line 447 — The twelve carry out the bodies of their lovers, prop them against each other under the portico, sponge the chairs, scrape the floor — made to clean the scene of the massacre as their last work, with Odysseus "hurrying the work himself." The poem does not spare us the interval between sentence and execution; forced labor at your own gallows-site is part of the punishment, and the poem knows it. ↩
47 line 463 — Telemachus overrides the sword: "By no clean death..." — καθαρῷ θανάτῳ: the sword is clean, and cleanness is more than they deserve for insults "poured on my head, on my own mother." The son escalates his father's sentence on his own authority — command exercised in his own right, as when he saved Phemius and Medon moments before. Mercy and cruelty have the same source in him: personal testimony. This is the poem's most terrible verse, and it belongs to the boy. ↩
48 line 469 — The hanging: ship's cable, pillar, roundhouse; and the simile — thrushes or doves flying home to roost, striking the snare, "and a hateful bed receives them." Birds coming home; a bed — the imagery convicts and pities in the same breath (their crime was beds; their deaths are a perverted homecoming). Then the poem's most unflinching line and a half: heads in a row, nooses on every neck, "that they might die most pitiably. They kicked out with their feet a little while — not very long." No other ancient text ends an atrocity on so quiet a clock. The poem does not defend this; it makes us watch it, and the watching is the judgment it leaves to us. ↩
49 line 475 — Melanthius' end: nose, ears, genitals to the dogs, hands, feet — outdoing the partial catalogues Antinous rehearsed as threats (Echetus' nose, ears, and genitals at 18.85ff; the Centaur's ears and nose at 21.299ff), executed by the household "in their fury of heart" (κεκοτηότι θυμῷ — the poem noting, not endorsing, the rage). Every mutilation the suitors' side imagined for others lands on their collaborator, and more. The revenge's arithmetic more than closes; its humanity is left an open wound. ↩
50 line 482 — Sulfur, "the cure of evils" (κακῶν ἄκος) — fire and brimstone as purification: the hall is fumigated like a sickroom. After the theology (413–414) and the executions, the pollution is treated as physical — burnable, ventable. The oldest chemistry of atonement: what blood makes unclean, sulfur smoke makes habitable. ↩
51 line 488 — Eurycleia's first thought after Armageddon: he cannot stand around in rags — "that would be a thing to blame" (νεμεσσητόν). The nurse's propriety, absurd and magnificent, reasserts the household's ordinary law over the extraordinary scene. His answer — fire first — is the last postponement of comfort in a life made of them. ↩
52 line 492 — He fumes "the hall, the house, the courtyard" himself — the king as his own priest, smoking out his own pollution. The man who offered to keep the suitors' torches burning (18.316ff) as a beggar now carries the purifying fire as owner: his relationship to this house's flames has run lamptender, avenger, priest inside two days. ↩
53 line 497 — The last lines belong to the loyal women: out of the hall with torches, pouring around him, kissing head, shoulders, hands — the family embrace-formula given to the whole faithful staff at once. "And a sweet longing took hold of him — to weep, to sob: for in his heart he knew them all." After one hundred and eight corpses, the book ends with the man undone not by killing but by recognition — every face known, twenty years of names intact. The slaughter needed disguise and iron; it is the housemaids who finally break him open. ↩