The Odyssey · a Claudyssey

Book XII

The Sirens; Scylla and Charybdis; the cattle of the Sun.

1Now when the ship had left the stream of the river Ocean

and come out into the swell of the wide-wayed sea

and the island of Aeaea — where the house of early-born1

Dawn is, and her dancing-grounds, and the risings of the sun —

5we ran her in there onto the sands

and stepped out ourselves onto the surf-line of the sea,

and there we dropped asleep, and waited for shining Dawn.

When Dawn appeared, the early-born, with fingers of rose,

then I sent companions ahead to the house of Circe

10to bring the body of Elpenor, who had died.

We cut billets of wood, quickly, and where the headland ran out highest

we buried him, grieving, letting the big tears fall.

And when the dead man was burned, and the dead man's armor,

we heaped a mound, and dragged a pillar-stone onto it,

15and on the very top of the mound we fixed his well-shaped oar.2

So we saw to it all, each thing. And our coming up from Hades

was not lost on Circe: she readied herself and came

quickly, and her handmaids with her carried

bread and meat in plenty and fire-bright red wine.

20And she stood in our midst and spoke, shining among goddesses:

'Hard men — you who went down living into the house of Hades:

twice-dying, when other men die once.3

Come now: eat your food, and drink your wine,

here, all day long. And when dawn shows

25you shall sail; and I will point out your road, and make each thing

plain, so that no grinding evil design,

on sea or on land, can catch you and make you suffer.'

So she spoke, and our proud hearts consented.

So then all day long till the setting of the sun

30we sat feasting on meat past counting and sweet wine;

and when the sun went down and the dusk came on,

the men lay down to sleep beside the ship's stern-cables,

but she took me by the hand, apart from my dear companions,

and made me sit, and lay beside me, and asked me everything;

35and I told it all through to her, in its due order.

And then the lady Circe spoke to me in words:

'So all that has been brought to its end. Now hear4

what I will tell you — and a god himself will bring it back to your mind.

First you will come to the Sirens, who enchant

40all mankind — whoever comes upon them.

Whoever in ignorance draws near and hears the voice

of the Sirens — no wife, no little children

will ever stand beside that man to welcome him home;

no — the Sirens enchant him with their clear-toned song,

45sitting in a meadow; and around them is a great heap of the bones5

of rotting men, and the skins are shriveling on them.

Drive past them; and knead honey-sweet wax

and stop your companions' ears with it, so that none of the others

may hear. But you yourself — listen, if you will:6

50only let them bind you in the fast ship, hand and foot,

upright in the mast-step, with the rope-ends made fast to the mast itself,

so that you may hear the two Sirens' voice, and delight in it.

And if you beg your companions — if you order them to free you —

then let them bind you down with still more bonds.

55But when your companions have driven past them,

from there I will not spell it out for you to the end —

which of two roads will be yours. You yourself

must weigh it in your heart. But I will tell you both.

On the one side, overhanging rocks; and against them

60roars the great swell of dark-eyed Amphitrite.

The blessed gods call them the Wandering Rocks.

That way not even winged things pass — not even the shy doves7

that carry ambrosia to father Zeus:

the sheer rock always takes one even of those,

65and the Father sends in another to keep the number full.

That way no ship of men has ever yet escaped, whichever came,

but ships' planks and men's bodies together

are carried off by the waves of the sea and the squalls of deadly fire.

One seagoing ship alone has sailed past there —

70Argo, whom all minds know — sailing home from Aeetes;8

and even her the wave would have flung swiftly on the great rocks,

but Hera sent her through, because Jason was dear to her.

On the other side are two crags: one reaches the wide heaven

with its sharp peak, and a dark-blue cloud rings it,

75never drawing off — no clear sky ever holds

that summit, not in summer, not in harvest-time.

No mortal man could climb it, or set foot on the top,

not if he had twenty hands and twenty feet:

the rock is smooth — as if dressed smooth all around.

80And in the middle of the crag is a misty cave

turned toward the dark, toward Erebus — the very way you

will steer your hollow ship, shining Odysseus.

Not even a strong man's arrow, shot from a hollow ship,

could reach up into that vaulted cave.

85And in it lives Scylla — yelping horribly.

Her voice, truly, is no more than a newborn puppy's,9

but she herself is an evil monster: no one

could look at her and rejoice — not a god, if a god should meet her.

Twelve feet she has, all of them dangling;10

90six necks, immensely long, and on each one

a hideous head, and in each three rows of teeth,

thick-set and crowded, full of black death.

Waist-deep she is sunk in the hollow of the cave,

but she holds her heads out of that terrible pit

95and fishes there, quivering with hunger around the crag,

for dolphins and dogfish, and whatever bigger beast

she can seize, of the thousands deep-moaning Amphitrite pastures.

Past her no sailors yet can boast

to have fled unharmed with their ship: with each head

100she carries off a man, snatched from the dark-blue-prowed vessel.

The other crag is lower — you will see it, Odysseus —

close by the first: a bowshot would carry across.

On it stands a great fig tree, dense in leaf,

and beneath it shining Charybdis gulps down the black water.11

105Three times a day she spouts it forth, three times she gulps it down —

terribly. May you not chance to be there when she gulps:

no one could save you from that evil then — not the earth-shaker himself.

No: keep close to Scylla's crag, and quickly

drive the ship past. It is far better

110to mourn six companions from your ship than all together.'12

So she spoke, and I answered her and said:

'Come then, goddess — tell me this, and tell it true:

might I somehow slip out from under deadly Charybdis

and stand off the other, when she strikes at my companions?'

115So I spoke, and she answered at once, shining among goddesses:

'Hard man! So even now your heart is set on the works of war13

and struggle. Will you not yield even to the deathless gods?

She is not mortal — she is an immortal evil,

terrible, grim, savage, not to be fought.

120There is no defense. To flee her is the best courage.14

For if you linger by the rock to arm yourself,

I fear she will dart out a second time and catch you

with all six heads, and take six men again.

No — row past with all your force, and call on Crataiis,15

125the mother of Scylla, who bore her, a plague on mortals:

she will stop her then from darting out again.

And you will come to the island Thrinacia. There in plenty

graze the cattle of Helios, and his strong flocks:

seven herds of cattle, and as many fine flocks of sheep,16

130fifty in each. No young are born to them,

and they never die away. Goddesses are their shepherds,

nymphs of the lovely braids, Phaethusa and Lampetie,

whom shining Neaera bore to Helios Hyperion.

Their honored mother, when she had borne and reared them,

135settled them far away, on the island Thrinacia,

to keep their father's sheep and his crook-horned cattle.

If you leave these unharmed, and keep your mind on homecoming,17

then you may yet reach Ithaca, though you suffer evils;

but if you harm them, then I foretell destruction

140for ship and companions. And even if you yourself escape,

late you will come, and in evil case, all companions lost.'

So she spoke; and at once Dawn of the golden throne came on.

Then she went away up the island, shining among goddesses,

and I went to the ship and roused my companions

145to board in their turn and loose the stern-cables;

and they came aboard at once and took their places at the oarlocks,

and sitting in order they struck the gray salt water with their oars.

And for us, behind the dark-blue-prowed ship,

a following wind that filled the sail, a good companion,

150was sent by Circe of the lovely braids, dread goddess with a mortal's voice.

So when we had seen to the tackle through the ship,

we sat, and the wind and the steersman held her on course.

Then, grieving at heart, I spoke among my companions:

'Friends — it is not right that one man only, or two,18

155should know the decrees that Circe told me, shining among goddesses.

No: I will speak, so that knowing them we may die —

or swerve aside, and escape death and doom.

First she commands us to shun the marvelous Sirens —

their voice, and their flowering meadow.

160Me alone she bade listen to their song. But bind me

in a bond that bites, so that I stay fixed where I stand,

upright in the mast-step, with the rope-ends made fast to the mast itself.

And if I beg you — if I order you to free me —

then squeeze me down with still more bonds.'

165So I went through it all, telling my companions,

while the well-made ship ran swiftly on

toward the island of the two Sirens: a fair wind drove her.

Then all at once the wind fell still, and a calm

came, breathless: some power lulled the waves to sleep.19

170My companions rose and furled the sails

and stowed them in the hollow ship, and sitting to the oars

they whitened the water with the polished blades of fir.

And I with my sharp bronze cut a great round cake of wax

into little pieces, and kneaded them in my heavy hands;

175and quickly the wax grew warm, for my great strength pressed it,

and the beam of the lord Helios, Hyperion's son;20

and one by one I stopped the ears of all my companions.

And they bound me in the ship, hand and foot together,

upright in the mast-step, and made the rope-ends fast to the mast itself;

180and sitting down they struck the gray salt water with their oars.

But when we were as far off as a man's shout carries,

running swiftly, the sea-quick ship did not slip past them

unseen as she leapt near — and they raised their clear-toned song:

'Come here, come, much-praised Odysseus, great glory of the Achaeans:21

185bring your ship in, so you may hear the voice of us two.

For no man yet has rowed past this place in his black ship

before hearing the honey-voiced song from our lips —

no: he has his delight of it, and goes his way knowing more.22

For we know all that in wide Troy

190the Argives and the Trojans labored through by the gods' will;

and we know all that comes to pass on the nourishing earth.'

So they sang, sending out their beautiful voice; and my heart

longed to listen, and I ordered my companions to free me,

signaling with my brows; but they threw themselves forward and rowed.23

195And at once Perimedes and Eurylochus rose

and bound me with more bonds, and squeezed them tighter.

But when they had driven past them, and we could no longer

hear the Sirens' voice, or their singing,

quickly my trusted companions took out the wax

200I had stopped their ears with, and loosed me from my bonds.

But when we had left the island behind, at once

I saw smoke, and a great wave, and heard a booming.

The men were terrified: the oars flew from their hands

and clattered, all of them, along the current; and the ship stopped

205dead, since their hands no longer drove the tapered blades.

And I went through the ship, heartening my companions

with gentle words, standing by each man in turn:

'Friends — we are not unschooled in evils, not we.

This evil that stands over us now is no greater than when the Cyclops24

210penned us in his hollow cave by brute force —

and even from there, by my prowess and my counsel and my mind,

we escaped. Someday, I think, we will remember this one too.

Come then — all of us — do exactly as I say.

You, keep to your benches and strike the deep surf

215of the salt sea with your oar-blades, in hope Zeus somehow

may grant us to slip clear of this destruction;

and you, steersman, here is my order — lay it up

in your heart, since you handle the steering-oar of our hollow ship:

keep the ship outside that smoke and that surf,

220and hug the crag, for fear the ship, before you know it,

shears off toward the other side — and you pitch us into the evil.'

So I spoke, and they quickly heeded my words.

But Scylla I did not speak of — that hopeless horror —25

for fear my companions, terrified, might drop

225the oars and pack themselves into the hold.

And then — Circe's hard command, that I should not

arm myself — I let it slip from my mind:26

I put on my famous armor, took two long spears

in my hands, and went up to the half-deck at the bow,

230for it was from there I expected the first sight

of Scylla of the rock, bringing ruin on my companions.

And I could not glimpse her anywhere; my eyes grew weary

scanning every hand-span of the misty rock.

So we sailed up the narrows, wailing:

235on this side Scylla; on that, shining Charybdis

gulped down, terribly, the salt water of the sea.

When she vomited it up, like a cauldron over a great fire27

she would seethe and boil in all her churning depth, and the spray

fell high on the very tops of both the crags;

240but when she gulped the salt sea down again,

all her churning depth showed open, and the rock around her

roared terribly, and at the bottom the earth showed,

dark-blue with sand. And the pale terror took them.

We looked to her, then, in our dread of destruction —28

245and that was when Scylla snatched from the hollow ship

six of my companions, the best in hands and strength.

Turning to look at the fast ship, after my men,

I caught their feet and hands already above me,

swung high aloft; and they cried out and called to me

250by name — for the last time — in the anguish of their hearts.29

As when a fisherman on a jutting rock, with his long rod,30

casts down baits as a snare for the little fishes,

dropping into the sea the horn of a field-ox,

and each fish he catches he flings up gasping onto the land:

255so they were swung gasping up toward the rocks.

And there in her doorway she devoured them, shrieking as they were,

stretching their hands toward me in the terrible struggle.

That was the most pitiful thing my eyes ever looked on31

of all I suffered searching out the pathways of the sea.

260Now when we had escaped the rocks, and dread Charybdis

and Scylla, we came quickly then to the god's

blameless island: there were the beautiful broad-browed

cattle, and the many strong flocks, of Helios Hyperion.

And while I was still at sea, in the black ship,

265I heard the lowing of cattle being folded32

and the bleating of sheep; and there fell upon my heart the word

of the blind seer, Theban Tiresias,

and of Circe of Aeaea, who charged me over and over

to shun the island of Helios, the delight of mortals.

270Then, grieving at heart, I spoke among my companions:

'Hear my words, companions, for all your suffering,

so I may tell you the prophecies of Tiresias

and of Circe of Aeaea, who charged me over and over

to shun the island of Helios, the delight of mortals:

275there, she said, is the most terrible evil waiting for us.

No — drive the black ship on, wide of the island.'

So I spoke, and their own hearts broke within them.

And at once Eurylochus answered me — with a hateful word:

'You are a hard one, Odysseus. Your strength is beyond us; your limbs33

280never tire. Truly you are made of iron through and through —

you who will not let your companions, worn down with labor

and sleeplessness, set foot on land, where on this

sea-ringed island we might at last make ready a savory supper;

no — just as we are, through the fast-falling night, you order us

285to wander, driven off the island, over the misted sea.

Out of the nights are born the hard winds,34

the wreckers of ships. How would a man escape sheer destruction

if somehow, suddenly, a squall of wind should come,

South Wind or hard-blowing West, which more than any others

290smash ships to pieces — in despite of the gods our lords?

No: for now let us yield to black night

and make our supper ready, staying by the fast ship;

at dawn we will board, and stand out onto the wide sea.'

So spoke Eurylochus, and the other companions approved.

295And then I knew it: some power was plotting evils —

and lifting my voice I spoke winged words to him:

'Eurylochus, you force my hand: I am one man alone.35

But come — every one of you swear me a strong oath:

if we find some herd of cattle or great flock

300of sheep, let no man in his evil recklessness36

kill one cow, one sheep. No: sit quiet

and eat the food immortal Circe gave.'

So I spoke, and they swore at once, as I demanded.

And when they had sworn, and made an end of the oath,

305we moored the well-made ship in the hollow harbor

close by a spring of sweet water, and the companions went

ashore, and skillfully made their supper ready.

But when they had put away desire for food and drink,

they fell to weeping, remembering their dear companions

310whom Scylla had snatched from the hollow ship and eaten;

and as they wept, a deep sleep came upon them.

But in the night's third watch, when the stars had crossed their height,

Zeus who gathers the clouds roused a raging wind against us

in a howling squall, and covered land and sea alike

315with cloud; and night rose up out of heaven.

When Dawn appeared, the early-born, with fingers of rose,

we dragged the ship up and made her fast in a hollow cave

where the nymphs had their fine dancing-floors and seats;

and then I called them all together, and said:

320'Friends — there is food and drink in the fast ship:

let us keep our hands off these cattle, or we shall suffer for it.

These are the cattle and the strong flocks of a terrible god —

Helios, who sees all things and hears all things.'37

So I spoke, and their proud hearts consented.

325Then for a whole month the South Wind blew without let, and no other

wind rose after that, except the East and the South.

As long as the men had bread and red wine,

they kept their hands from the cattle: they wanted to live.

But when all the ship's provisions were spent,

330and need drove them roaming after game —

fish, birds, whatever came to their dear hands —

with bent hooks, while hunger wore their bellies down,38

then I went away up the island, to pray

to the gods, in hope one might show me a road home.

335And when, crossing the island, I had left my companions behind,

I washed my hands where there was shelter from the wind

and prayed to all the gods who hold Olympus —

and they poured sweet sleep upon my eyelids.39

And Eurylochus began his evil counsel to the companions:

340'Hear my words, companions, for all your suffering.

All deaths are hateful to wretched mortals —

but to die of hunger, and meet doom that way, is the most pitiful.40

Come then: let us drive off the best of the cattle of Helios

and sacrifice them to the immortals who hold wide heaven.

345And if we come to Ithaca, our fathers' land,

we will build at once a rich temple to Helios Hyperion

and set up in it fine offerings, many of them.

But if, in anger over his straight-horned cattle, he wills

to destroy our ship, and the other gods go with him —

350I would rather gulp once at the wave and lose my life41

than be starved slowly to death on a desert island.'

So spoke Eurylochus, and the other companions approved.

And at once they drove off the best of the cattle of Helios,

from close by — for not far from the dark-blue-prowed ship

355the beautiful broad-browed crook-horned cattle were grazing —

and they stood around them and prayed to the gods,

plucking the tender leaves of a high-crowned oak:42

for they had no white barley aboard the well-benched ship.

And when they had prayed, and cut the throats, and flayed,

360they carved out the thigh-pieces and wrapped them deep in fat,

folding it double, and laid raw flesh upon them;

and they had no wine to pour over the blazing offerings,

so they made libation with water, and roasted all the entrails.

And when the thighs were burned through, and they had tasted the innards,

365they carved up the rest and threaded it on spits.

Then it was that the deep sleep fled from my eyelids,

and I went down to the fast ship and the shore of the sea.

But as I came near the curved ship,

the sweet smell of the fat's smoke drifted all around me,

370and I groaned aloud, and cried out to the deathless gods:

'Father Zeus, and you other blessed gods who are forever —

it was for my ruin, then, that you laid me down in that pitiless sleep,

while my companions, waiting, devised this monstrous thing.'

Swiftly the word came to Helios Hyperion:

375long-robed Lampetie brought it — that we had killed his cattle.

And at once, with anger in his heart, he spoke among the immortals:

'Father Zeus, and you other blessed gods who are forever:

make them pay — the companions of Odysseus, Laertes' son —

who in their insolence have killed my cattle: the cattle

380I took my joy in, every day I climbed toward the starry heaven

and every day I turned from heaven back toward earth.

If they do not pay me a fitting price for the cattle,

I will go down into Hades and shine among the dead.'43

Then Zeus who gathers the clouds answered him:

385'Helios — you shine on among the immortals, surely,

and among mortal men across the grain-giving plowland;

and as for those men: their fast ship I will soon strike

with the white lightning, and shatter it to splinters in the middle of the wine-dark sea.'

— This I heard afterward from fair-haired Calypso;44

390and she said she heard it herself from Hermes the guide. —

Now when I had come down to the ship and the sea,

I went up and down and rebuked them, man by man; but no remedy

could we find anywhere: the cattle were dead already.

And soon the gods began to show forth portents among the men:

395the hides crawled; the meat on the spits was lowing,45

the roasted and the raw; and there rose a sound as of cattle crying.

Six days after that my trusted companions

feasted on the cattle of Helios they had driven off, the best of them;46

but when Zeus the son of Cronos set the seventh day upon us,

400then at last the wind fell from its raging squall,

and we boarded at once and stood out onto the wide sea,

stepping the mast and hauling up the white sails.

But when we had left the island behind, and no other

land showed anywhere — only sky and sea —

405then the son of Cronos set a dark-blue cloud

over the hollow ship, and the deep went black beneath it.

And she ran on not much longer: for all at once came the shrieking

West Wind, raging in a great squall,

and the storm-blast snapped both forestays of the mast:

410the mast toppled backward, and all its tackle spilled

down into the bilge; and in the stern of the ship the mast

struck the steersman's head, and crushed the bones of the skull

all together; and like a diver he dropped47

from the half-deck, and his proud life left his bones.

415And Zeus thundered in the same instant, and hurled his bolt into the ship,

and she shivered stem to stern, struck by the bolt of Zeus,

and filled with the reek of sulfur; and the men fell from the ship.

Like sea-crows around the black hull

they were carried off on the waves; and the god took away their homecoming.48

420But I kept moving through the ship, until the surge

tore the sides loose from the keel, and the wave carried her stripped bare,

and snapped the mast off at the keel. But over the mast

the backstay had been flung — a thing made of ox-hide;

with it I lashed the two together, keel and mast,49

425and settling myself on them, I was carried before the deadly winds.

Then indeed the West Wind fell from its raging squall,

but the South came fast in its place, bringing anguish to my heart:

that I should measure back my way to deadly Charybdis.

All night I was carried; and with the rising sun

430I came to Scylla's crag, and to dread Charybdis.

She was gulping down the salt water of the sea —

but I, swinging up high toward the tall fig tree,

caught it and clung there like a bat. And there was no way50

to plant my feet firm anywhere, no way to climb it:

435the roots were far below, and the branches out of reach,

long and great boughs that shadowed Charybdis.

I clung there without slackening, until she should vomit back

the mast and keel again. And to my longing, late,

they came: at the hour when a man rises from the assembly for supper —51

440the judge of many quarrels among contending young men —

at that hour the timbers reappeared out of Charybdis.

I let go, feet and hands, from above,

and dropped with a crash into the water beyond the long timbers,

and settling on them, I rowed hard with my hands.

445And Scylla — the father of men and gods did not let her52

see me again: I would not have slipped clear of sheer destruction.

From there I was carried nine days; and on the tenth, in the black night,

the gods brought me near the island Ogygia, where Calypso

lives, she of the lovely braids, the dread goddess with a mortal's voice,

450and she loved me and cared for me. But why tell that tale over?53

Only yesterday I told it in this house — to you

and to your strong wife. And it is hateful to me

to tell a tale over again that has been told out plainly."

Notes

1 line 3 — Aeaea is now located "where the house of early-born Dawn is, and her dancing-grounds, and the risings of the sun" — the uttermost East, though nothing in the voyage there had promised any such thing. The fairyland compass does not resolve: Circe is Helios' daughter, so her island is wherever the sun gets up. Homer's wanderings run on mythic adjacency, not bearings — which is why every attempt to chart them since antiquity has ended in the cartographer's despair.

2 line 15 — Elpenor's funeral, exactly as the ghost prescribed (11.74–78): burned with his armor, the mound, the pillar-stone — and the oar fixed on the very top. The promise of 11.80 kept to the letter, first thing, before Circe, before the road. It is the only funeral Odysseus ever conducts in the poem, performed for the least of his men.

3 line 21 — "Twice-dying" — δισθανέες, a word Circe appears to coin on the spot for men who will owe death two visits. Her greeting is the wanderings' running theme in one syllable-cluster: Odysseus does everything twice — two Charybdis passages, two prophecy-briefings, two great sleeps, and death itself once in advance.

4 line 37 — The second briefing. Note the change of genre: Tiresias gave destiny (what must be), Circe gives pilotage (what to do about it) — wax, cords, course-choices, even the escape-clause prayer to Scylla's mother. And at the fork she withdraws: "You yourself must weigh it in your heart." The gods of this poem brief; they do not decide. The deciding is what the hero is for.

5 line 45 — The Sirens' setting is the poem's most economical horror: a flowering meadow, and in it "a great heap of the bones of rotting men, and the skins are shriveling on them." No claws, no cave — just the voice, the flowers, and what remains of the audience. The listeners stayed; that is the entire mechanism. Note that no appearance is ever described: the Sirens are the one monster in the Odyssey who are only sound.

6 line 49 — "But you yourself — listen, if you will": the arrangement is Circe's gift to his curiosity, unasked. She knows her man: he will want the song, so she engineers a way to have it without dying of it — desire licensed under restraint, the whole Odysseus-problem solved in ship's tackle. The image of the bound listener has been philosophy's property ever since; the poem invented it as seamanship.

7 line 62 — Even Zeus' ambrosia-doves pay a toll of one to the Wandering Rocks, "and the Father sends in another to keep the number full." Heaven's own supply line runs on attrition and replacement — a two-line glimpse of cosmic bookkeeping, casually terrifying.

8 line 70 — "Argo, whom all minds know" — Ἀργὼ πᾶσι μέλουσα: Homer cites another epic as universally famous in three words, the oldest literary cross-reference in Greek. The Argonaut saga (Aeetes, Jason, Hera's patronage) is assumed knowledge; the Odyssey positions its own route one island over from a rival poem's — and sends its hero the other way.

9 line 86 — Scylla's voice "is no more than a newborn puppy's" — the Greek puns her name on σκύλαξ, puppy. A six-headed devourer that whimpers like something you would pick up and hold: the mismatch of sound and thing is the horror, in a poem whose last monster was all voice and honey.

10 line 89 — The anatomy is exact and unvisualizable — twelve dangling feet, six enormously long necks, triple rows of teeth "full of black death," body sunk waist-deep in rock. She is a fishing creature; men are simply the largest catch that passes. The bowshot-wide strait with a monster on each side is the poem's geometry of the unchoosable — and she takes one man per head, a tax collected in sixes.

11 line 104 — Charybdis under her fig tree: not a creature at all but a schedule — three times a day, down and up. Scylla is appetite with heads; Charybdis is pure physics. Between a predator you can count and a tide you cannot, Circe's seamanship is unsentimental: choose the one that takes six, not everything.

12 line 109 — "Far better to mourn six companions from your ship than all together": the coldest sentence of command in the poem, handed to him in advance by a goddess. The captain sails the strait already carrying the arithmetic — and the poem lets us watch him pay it out in real men at 245–250.

13 line 116 — His reflex — can I fight her? — draws Circe's exasperated diagnosis: "So even now your heart is set on the works of war... Will you not yield even to the deathless gods?" The last time anyone called him σχέτλιος like this it was Achilles' ghost (11.474). The Iliadic reflex is the one thing ten years of sea have not washed out of him.

14 line 120 — "To flee her is the best courage" — φυγέειν κάρτιστον: flight as the superlative of strength. No sentence in the poem is less Iliadic; it is the wanderings' whole revaluation of heroism in four words.

15 line 124 — Crataiis — "Force" — is Scylla's mother, invocable to call her daughter off. Even the unfightable has a parent who can be petitioned: the poem's world remains, to the last monster, a web of families.

16 line 129 — Seven herds of fifty, seven flocks of fifty: 350 cattle and 350 sheep, breeding never, dying never. Ancient readers did the sum and saw the days of the lunar year in each — the cattle of the Sun as the sun's own calendar, guarded by daughters named Shining (Phaethusa) and Radiant (Lampetie). To eat them is to eat time itself; the allegory was already old when Aristotle heard it, and the poem neither confirms nor forbids it.

17 line 137 — Circe's Thrinacia warning repeats Tiresias' prophecy nearly verbatim (11.110–115), and the translation repeats with it. The two authorities of the two worlds — the dead seer, the deathless witch — issue one text. No event in the poem is more thoroughly notarized in advance than the crew's destruction.

18 line 154 — He briefs the crew in the name of shared knowledge — "it is not right that one man only, or two, should know" — and tells them the Sirens in full... and Scylla not at all (223–225). Full disclosure as principle, censorship as practice, each defended in its place: the captain manages truth like any other ration. The poem hands us both passages sixty-nine lines apart and lets us do the ethics ourselves.

19 line 168 — The wind dies at the Sirens' island — "some power lulled the waves to sleep." The becalming is the trap's velvet: silence so total the song will be the only sound on the sea. Rowing into it, the men whiten still water while their captain kneads the wax soft.

20 line 175 — The wax warms under "my great strength... and the beam of the lord Helios" — the sun himself, whose cattle will destroy this crew, here helps seal their ears. The gods lend their forces indifferently; the poem notes the courtesy without comment.

21 line 184 — The Song. They address him "much-praised Odysseus, great glory of the Achaeans" — μέγα κῦδος Ἀχαιῶν, the honorific otherwise reserved for Nestor (3.79): the Sirens speak flawless epic diction, and their opening move is his own fame recited back to him. For this hero the fatal bait is not flesh but renown and information — they offer Troy complete (the war he cannot stop weeping over in Books 8's songs) plus omniscience: "all that comes to pass on the nourishing earth." The Sirens are epic poetry weaponized — the song of kleos with the homecoming subtracted. The bone-meadow is an audience that never left the recital.

22 line 188 — "He has his delight of it, and goes his way knowing more" — the Sirens' prospectus is a lie with a true clause: the delight is real, the going-away is not. Odysseus, bound, becomes the single exception that proves their sales-pitch: the only man who did hear and did leave — knowing more.

23 line 194 — The system absorbs its designed failure: he signals with his brows to be freed (the same brow-signal that commanded silence at 9.468), and Perimedes and Eurylochus — acting on his own prior orders — add rope. Ulysses bound is the West's founding image of precommitment: the self that plans outranking the self that wants. The poem states it without a word of theory: they rowed; they bound; they passed.

24 line 209 — The heartening speech runs on the captain's résumé: "no greater evil than the Cyclops... and even from there, by my prowess and my counsel and my mind, we escaped." True — and edited: the cave was also entered by his curiosity and signed with the boast that bought Poseidon's curse. Command rhetoric curates the past; the poem, having shown us the whole ledger, lets the speech work anyway. "Someday, I think, we will remember this one too" echoes his own 20-year brand of consolation — memory as the promised land beyond every horror.

25 line 223 — The withheld briefing: Scylla is edited out "for fear my companions... might pack themselves into the hold." Six men will die unwarned. Militarily impeccable, morally unresolved — and narrated by the man himself years later without apology or defense, which is its own kind of confession.

26 line 226 — "Circe's hard command... I let it slip from my mind": he arms anyway, two spears, up on the foredeck, scanning rock. The one order the man cannot obey is don't fight — the armor is useless, the enemy never shows herself to him, and the poem lets his obsolete magnificence stand there in full bronze, watching the wrong monster.

27 line 237 — Charybdis as kitchen-physics: a cauldron over a great fire, seething to the rim — then the gulp, and "at the bottom the earth showed, dark-blue with sand." The seafloor exposed is the sea turned inside out — the one sight sailors are never meant to see; the pale terror (χλωρὸν δέος, the Nekyia's own fear-formula) is its correct price.

28 line 244 — The trap's true mechanism: "We looked to her" — all eyes on the spectacle of Charybdis — "and that was when Scylla snatched..." Attention itself is the toll. The strait charges you six men for looking at the wrong danger, exactly as Circe's geometry promised.

29 line 250 — "They cried out and called to me by name — for the last time." His name — the thing he boasted to the Cyclops, the thing the Sirens sang — is the last word of six men being lifted into a mouth. The poem's economy of the name closes its darkest circuit here.

30 line 251 — The angler simile: a fisherman on a rock, long rod, ox-horn line-guard, flinging the little fish "gasping onto the land." The men are the little fish; the tackle is described with a professional's precision; the scale is the cruelty. It is the Laestrygonian image (men speared like fish, 10.124) miniaturized and made leisurely — slaughter at the tempo of a pastime. Homer's similes keep domesticating his horrors, and that is what makes them unbearable.

31 line 258 — "The most pitiful thing my eyes ever looked on of all I suffered searching out the pathways of the sea." The superlative of ten years — awarded not to Polyphemus or Hades but to six pairs of reaching hands. The teller ranks his own griefs, and the ranking is the man.

32 line 264 — He hears the cattle while still at sea — "the lowing of cattle being folded" carries over water — and the prophecy lands on his heart in the same instant. For once fore-knowledge and temptation arrive together, sound first: Thrinacia is audible doom, as the Sirens were audible desire.

33 line 279 — Eurylochus' "you are made of iron" speech is mutiny with a case: the men are exhausted, night passages kill ships, the winds born of darkness are real ("wreckers of ships" is sound pilotage). The poem gives the rebellion its best arguments — rest tonight, sail at dawn — and then lets the weather, not the logic, spring the trap: the dawn that was promised brings a month of imprisoning wind.

34 line 286 — "Out of the nights are born the hard winds": a genuine sailor's proverb doing the work of rhetoric. Everything Eurylochus says is true; that is what makes the scene tragedy rather than folly. Odysseus yields to a sound argument — and knows, in the same breath, that "some power was plotting evils."

35 line 297 — "You force my hand: I am one man alone" — βιάζετε μοῦνον ἐόντα: command's arithmetic stated plainly, one against a crew. The oath he extracts is the only instrument left to a captain outvoted; it will hold exactly as long as the food does.

36 line 300 — The oath's key word is the proem's: ἀτασθαλίῃσι — let no man "in his evil recklessness" kill a cow. The poem's opening indictment (1.7: they perished by their own recklessness) is here written into a sworn contract, in advance, in the perpetrator's hearing. When they break it, they break it under its proper name.

37 line 323 — His warning ends on the surveillance formula: "Helios, who sees all things and hears all things" (= 11.109). On an island owned by total observation, the crew will wait for the captain to fall asleep — as if the only eye were his.

38 line 331 — Bent hooks, birds, "whatever came to their dear hands," hunger wearing the belly — the stranded-crew cluster shared with Menelaus' men on Pharos (4.368–369), its closing line word for word. The apologoi keep meeting the Telemachy's stories at the seams: same sea, same hunger, same grammar.

39 line 338 — The fatal sleep again. Aeolus' bag within sight of home; now Thrinacia; the pattern is exact — catastrophe enters only when his vigilance lapses, and the lapse is always bodily, blameless, human. "It was for my ruin that you laid me down" (372): he reads his sleep as the gods' instrument, and the poem does not correct him. A hero whose weakness is not pride or lust but the simple need to close his eyes: that is the Odyssey's realism about limits.

40 line 341 — Eurylochus' second speech is the belly-doctrine turned catechism: "all deaths are hateful, but to die of hunger is the most pitiful." It is Odysseus' own theology (7.216: nothing more dog-shameless than the belly) recited by the mutineer to justify the unforgivable. The poem built its hero's materialism carefully for five books precisely so this speech would be irrefutable in his own terms.

41 line 350 — "I would rather gulp once at the wave and lose my life than be starved slowly" — the sailor's ranking of deaths, and a wish the poem grants with horrible precision: he will get exactly that death, mouth open at the wave, within the week. In the Odyssey, stated preferences about dying are always heard by someone.

42 line 357 — The sacrilege is performed as scrupulous ritual with every material wrong: oak leaves for barley, water for wine, prayers over stolen victims, a temple vowed from the proceeds. Form perfect, substance inverted — piety's grammar spoken in theft. The poem's most detailed sacrifice scene after Nestor's (3.430ff.) is this parody of it; the two scenes are each other's mirror at ten books' distance.

43 line 383 — Helios' threat: "I will go down into Hades and shine among the dead." Four words from a minor god, and the cosmos tilts: the sun proposes to invert the universe — light for the dead, darkness for the living — unless compensated. Zeus' answer is a settlement (keep shining; I'll handle it), and the affair closes like a lawsuit between great houses: the thunderbolt as damages.

44 line 389 — "This I heard afterward from fair-haired Calypso; and she said she heard it herself from Hermes the guide." Unique in Homer: the narrator cites his sources — for an Olympian conversation he could not have witnessed, a two-link chain of transmission is produced on the spot. The apologoi's one gesture of documentation is also its quietest boast: the rest, we are to take it, he saw — though the oath-taking and the sacrilege on Thrinacia he tells us himself he slept through. Storytelling inventing source criticism, in the middle of the Bronze Age.

45 line 394 — The portents: "the hides crawled; the meat on the spits was lowing, the roasted and the raw." The uncanniest lines in Homer — the meal refusing to become food, the sacrilege bellowing from the fire. And the sentence that follows is the true horror: "Six days after that my trusted companions feasted." Not one meal in madness — six days of eating meat that cries. The crew's doom is not a lapse but a persistence.

46 line 397 — "The best of them" — even in cataloguing the sin, the connoisseur's precision: they stole the best cattle. The poem's fair-division captain (9.42, 549) reports the crime with the same bookkeeping he brought to the loot.

47 line 413 — The steersman dies "like a diver" — the man of steering dropped head-first from his post, his craft converted in one simile to falling gracefully. It is the poem's last professional death: the storm kills the helmsman first, then the ship.

48 line 419 — "The god took away their homecoming" — the proem's exact clause (1.9: "the god took from them their day of homecoming"), executed at last, twelve books later, on the men the proem indicted in its seventh line. The sea-crows simile gives the crew their final form: small dark birds around a black hull, then nothing. Every death the poem promised in its first ten lines has now been delivered.

49 line 423 — Keel and mast lashed with the ox-hide backstay: the raft of Book 5 anticipated at its absolute minimum — two timbers and a strap, rigged in a breaking sea by the man who built a twenty-tree vessel with axe and auger. Craft scales down to whatever is left; that is its definition.

50 line 432 — Hanging "like a bat" from the fig tree over Charybdis — feet unable to reach, branches too high, roots too far — while she digests his raft. The greatest survivor in literature spends the crisis as a small nocturnal animal, waiting. Endurance here is not muscle but grip and timing.

51 line 439 — The judge simile: the timbers resurface "at the hour when a man rises from the assembly for supper — the judge of many quarrels among contending young men." Time told by a magistrate's working day, cited by a naked man clinging over a whirlpool at the edge of the world. The poem's clocks are all civic and agricultural (the plowman's supper, the mule-furrow, the shout) — the wanderer measures even the abyss in units of the ordered human town he is trying to get back to. It is the most homesick simile in the poem.

52 line 445 — Zeus hides him from Scylla — the Father's single direct intervention in all the wanderings, one line, unexplained. The poem's theology in miniature: named mercy, unnamed motive.

53 line 450 — The ending: "But why tell that tale over? Only yesterday I told it in this house... it is hateful to me to tell a tale over again that has been told out plainly." The four-book performance closes with the performer's professional ethic — no encores of finished material — and with the ring sealed exactly where Book 7's short account began: Calypso. The joke underneath is exquisite: the most repetition-built poem in existence ends its greatest recital by declaring repetition hateful. The singer knows the difference between formula, which is architecture, and retelling, which is padding — and so does Homer, who now takes the poem back from his hero. The wanderings are over; every subsequent mile is Ithaca's.